SPRACHSTIL IN DER SAMMLUNG DES GEDICHTE “HEINE HUNDERT GEDICHTE” VON HEINRICH HEINE

  • WIENA ROSALINA

Abstract

Heinrich Heine was one of Germany's most famous poet of the 19th century. He is also a journalist, essayist, and literary critic. She is known outside of Germany through his poems. Especially in the book "Hundert Gedichte Heine". The problems of this research are: (1) whether the style of language contained in his poem a poem) Alte Rose b) Mein Herz c) Mein Kinder d) ist die Welt Dumm e) and f Meersstille) Das ist eine Weise Mowe work Heinrich Heine? (2) What language style that is widely used in the Heinrich Heine to 6 (six) of the poem? This study theory is the theory of the figure of speech and language style Prasetyono, Kelle and Keraf. The results include: 1) There are several types of style language appears in all six (6) poems by Heinrich Heine that is hyperbole, symbolism, Synesthesia, Alliteration, Anaphora, Simile, litotes, Polisidenton, Asidenton, oxymoron, Inversion, and reps; 2) style language often appears on every poem is a hyperbole for "Alte Rose" and "Mein Herz", Simile for "Mein Kinder waren wir Kinder", personification of "dumm ist die Welt", inversion to "Meersstille" and reps for "das ist eine Weisse Moewe"

Keywords: Style Language, poetry 

Published
2013-06-11
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