KONFLIK BATIN TOKOH ISI DALAM FILM "ISI UND OSSI" KARYA OLIVER KIENLE

Abstract

ABSTRACT

Inner conflict is a psychological contradiction within an individual; nearly everyone experiences it, yet not everyone can resolve it. Studying it in literary works offers deep insight into human psychological dynamics—including in film, which portrays the clash of interests, desires, and social pressures. This study aims to analyze the forms and causal factors of inner conflict experienced by Isi in the film Isi & Ossi by Oliver Kienle. The research employs a descriptive qualitative approach within a literary psychology framework, grounded in Kurt Lewin’s field theory, which classifies inner conflict into approach-approach, avoidance-avoidance, and approach-avoidance. Data consist of Isi's dialogue and monologue excerpts gathered through observation and note-taking, then classified based on conflict indicators and analyzed to reveal their causes. A screen-capture technique was applied to key scenes to provide visual evidence of her psychological condition. The findings reveal six data points: three concerning the form of inner conflict, all identified as approach-avoidance, and three concerning its causal factors, predominantly induced force and forces corresponding to personal needs. These results show that Isi’s inner conflict is largely triggered by the clash between socio-economic environmental pressure and her need for self-actualization. This study affirms the relevance of Kurt Lewin’s field theory for examining inner conflict in film, while contributing to literary psychology studies on German-language audiovisual works.

Keywords: Inner Conflict, Kurt Lewin, Field Theory, Literary Psychology

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