ALUR FILM "DIE GÄNSEPRINZESSIN" BERDASARKAN TEORI TIGA BABAK

Abstract

This study aims to describe and analyze the plot structure in the film Die Gänseprinzessin (2022) based on Syd Field’s Three-Act Structure theory. This 60-minute television film in the family fantasy genre was chosen as the research object because it presents a clear and well-organized narrative structure suitable for structural analysis. The research employs a qualitative descriptive approach with content analysis technique. Data were collected through repeated viewing of the film and note-taking on important scenes related to the plot development. The primary data were obtained directly from the film and analyzed using Field’s Three-Act Structure theory, which divides the story into three main acts: Act I (Setup), Act II (Confrontation), and Act III (Resolution). The analysis focuses not only on the internal structure of each act but also on the relationship and continuity between the acts in building a unified and meaningful plot. Special attention is given to key elements such as the inciting incident, Plot Point I, midpoint, Plot Point II, climax, and resolution. The findings reveal that Die Gänseprinzessin has successfully applied the three-act structure. Act II is the longest and most dominant part, serving as the core of conflict development through various complications and rising action. The relationship between the three acts runs logically and coherently, creating effective dramatic tension despite the film’s relatively short duration. Overall, the film demonstrates that even in a limited runtime, a well-structured plot can build strong emotional engagement and deliver a satisfying resolution for the audience.

Keywords: Plot structure, Three-Act Structure, Syd Field, Die Gänseprinzessin

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