SKEMA "AKTAN" DAN MODEL FUNGSIONAL A.J. GREIMAS DALAM CERPEN-CERPEN HEINRICH VON KLEIST
DOI:
https://doi.org/10.26740/gbj.v15n2.p475-485Abstract
ABSTRACTHeinrich von Kleist’s short stories arrange psychological pressure, social conflict, and the pursuit of justice through intricate relations among characters and forces that drive their actions. This study aims to describe the actantial schemes and functional models that construct the narrative structures of Das Bettelweib von Locarno, Der Findling, Der Zweikampf, Das Erdbeben in Chili, and Die heilige Cäcilie. A qualitative descriptive design was employed using A. J. Greimas’s structural narratology. The data consisted of German-language quotations, dialogue, and narrative passages drawn from the five stories in the digital collection Ausgewählte Schriften. Data were collected through close reading, note-taking, and literature study, then classified according to six actantial positions, that is subject, object, sender, receiver, helper, and opponent and five functional stages comprising the initial situation, qualifying test, main test, glorifying test, and final situation. The analysis identified 37 units, including 32 actantial schemes and five functional models. Twenty-four actantial schemes contained all six positions, whereas eight lacked an explicit position. Der Zweikampf produced the most complex pattern with nine actantial schemes, while the other stories contained five or six. Despite variations in actantial completeness, each story displayed a continuous functional movement from the initial condition through transformation to a final condition. The findings demonstrate that Kleist’s narratives are organized not merely by individual characters but by changing functions, values, social pressures, supernatural forces, and conflicts that occupy actantial positions. Greimas’s framework therefore clarifies both interfunctional relations and the transformation of conflict across the five stories.
Keywords: actantial scheme, functional model, narrative structure, short story
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