GERBANG : Jurnal Bahasa, Sastra, dan Budaya Jerman
type: channel
description: GERBANG: Jurnal Bahasa, Sastra, dan Budaya Jerman merupakan jurnal ilmiah yang menerbitkan artikel hasil penelitian, kajian konseptual, dan tinjauan pustaka di bidang linguistik, sastra, dan budaya Jerman. Gerbang diterbitkan tiga kali dalam setahun, yaitu pada bulan Maret, Juli, dan November oleh Program Studi S-1 Sastra Jerman, Fakultas Bahasa dan Seni, Universitas Negeri Surabaya (UNESA). Sebelum diterbitkan, setiap naskah artikel ditelaah sesuai dengan kebijakan tim editorial. Artikel yang diterima dipublikasikan dengan sistem akses terbuka untuk mendukung desiminasi ilmu pengetahuan secara luas. *Untuk keperluan pengetikan nama jurnal ini bisa ditulis "Gerbang".
publisher: UNIVERSITAS NEGERI SURABAYA
language: en-US
publication name: GERBANG : Jurnal Bahasa, Sastra, dan Budaya Jerman
items: "LIEBE" DALAM INSTAPUISI JULIA ENGELMANN : KAJIAN SEMIOTIKA FERDINAND DE SAUSSURE
items: PELANGGARAN PRINSIP KERJA SAMA DALAM FILM DAS LEBEN DER ANDEREN KARYA FLORIAN HENCKEL VON DONNERSMARCK
items: FUNGSI SINTAKSIS PREPOSISI "IN" DAN "AUF" PADA DONGENG "DAS KLEINE KÄNGURU UND SEINE FREUNDE" KARYA PAUL MAAR
items: MORALITY OF THE CHARACTER SERGEANT RASMUSSEN IN THE FILM "UNDER SANDET"
items: KONFLIK SOSIAL ANTAR TOKOH PADA DONGENG KARYA DOERTE MUELLER
items: GAYA HIDUP URBAN DALAM FILM "BETONRAUSCH" (2020) KARYA CÜNEYT KAYA
items: KONFLIK MENDEKAT-MENJAUH PADA TOKOH HUI BUH DALAM FILM "HUI BUH UND DAS HEXENSCHLOSS" KARYA SEBASTIAN NIEMANN
items: ALUR FILM "DIE GÄNSEPRINZESSIN" BERDASARKAN TEORI TIGA BABAK
items: The Indirect Characteristics of the Character Marwood in the Play Miss Sara Sampson
items: STRUKTUR NARATIF DALAM DONGENG GRIMM BERSAUDARA "DIE KLUGE ELSE" DAN "LÄUSCHEN UND FLÖHCHEN": KAJIAN FUNGSI NARATIF VLADIMIR PROPP
items: FOKALISASI POLLY DALAM FILM "DIE GÄNSEPRINZESSIN" KARYA FRANK STOYE
items: KOMPARATIF FUNGSI NARATIF VLADIMIR PROPP PADA "SCHNEEWITTCHEN" DAN "ASCHENPUTTEL"
items: ADAPTASI UNSUR INTRINSIK DALAM EKRANISASI NOVEL "DER VORLESER" KARYA BERNHARD SCHLINK KE FILM "THE READER" KARYA STEPHEN DALDRY
items: CHARACTER ARC TOKOH KARL DALAM FILM DIE LIEBESKÜMMERER (2024) KARYA SHIREL PELEG
items: The NEULOGISM IN ADIDAS ADVERTISEMENT PAGE
items: THE USE OF THE TRANSPOSITION TRANSLATION TECHNIQUE FOR GERMAN NOUN PHRASES IN "NADI MAGAZINE", VOLUME 28, 2021
items: "SATZMETAPHER" DALAM LAGU DU KARYA PETER MAFFAY
items: REPRESENTASI AKTOR DALAM WACANA KONFLIK ISRAEL-GAZA PADA ARTIKEL BERITA DEUTSCHE WELLE ‘ISRAEL BEREITET VERSCHÄRFUNG DER GAZA-ANGRIFFE VOR’: ANALISIS WACANA KRITIS
items: KONSTRUKSI MAKNA PASCAPERANG DALAM CERPEN WOLFGANG BORCHERT
items: METAFORA KONSEPTUAL DALAM BERITA POLITIK "DEUTSCHE WELLE" KARYA CRISTOPH HASSEL BACH
items: INTROVERT THINKING SEBAGAI TIPE KEPRIBADIAN DOMINAN TOKOH JOSEF K. DALAM NOVEL "DER PROZESS" KARYA FRANZ KAFKA
items: BENTUK ORKESTRASI BUNYI DALAM PUISI INSTAGRAM KARYA @_JULIAENGELMANN
items: SKEMA "AKTAN" DAN MODEL FUNGSIONAL A.J. GREIMAS DALAM CERPEN-CERPEN HEINRICH VON KLEIST
items: ANALISIS HUBUNGAN SEMANTIS SEBAGAI PEMBENTUK KOHESI PADA RUBRIK "DEIN SPIEGEL"
items: DEIKSIS TEMPORAL "VORZEITIGKEIT" DALAM TEKS BERITA "DEUTSCHE WELLE"
items: BENTUK DEHUMANISASI TERHADAP PRAJURIT DI FILM "IM WESTEN NICHTS NEUES (2022)"
items: REPRESENTASI KETIMPANGAN SOSIAL DALAM SERIAL "MAXTON HALL" MELALUI PERSPEKTIF BOURDIEU
items: Kohesi Pronomina pada Teks Berita "Die Zeit" edisi Februari 2025
items: EMOSI KEBAHAGIAAN DALAM INSTAPUISI @MISSCLARALOUISE : ANALISIS SEMIOTIKA ROLAND BARTHES DAN TEORI EMOSI DASAR PAUL EKMAN
items: NILAI MORAL DALAM DONGENG "DIE BIENENKÖNIGIN","DIE WEIßE SCHLANGE" DAN "DER FROSCHKÖNIG"
items: POLA STRUKTUR DAN ASPEK MAKNA KOLOKASI BAHASA JERMAN DALAM "KURSBUCH NETZWERK NEU A1"
items: PERUBAHAN KONDISI PASIF KE KONDISI AKTIF TOKOH UTAMA PEREMPUAN DALAM DONGENG "DER RÄUBERBRÄUTIGAM" KARYA BRÜDER GRIMM
items: KOHESI SUBSTITUSI DALAM TEKS BERITA BERBAHASA JERMAN
items: TEMPORAL DEIXIS IN HANS CHRISTIAN ANDERSEN'S COLLECTION OF FAIRY TALES
items: PERAN HUMOR SEBAGAI RESISTENSI DALAM FILM DIE GÄNSEPRINZESSIN
items: KAJIAN SEMIOTIKA CHARLES SANDERS PEIRCE TERHADAP KATA "SONNE" PADA INSTAPUISI @allesorten
items: PARALELISME LEKSIKAL DALAM KUMPULAN INSTA-PUISI @POESIE.REVEUR
items: MORAL KARAKTER POLLY MELALUI KARAKTERISASI TIDAK LANGSUNG DALAM FILM "DIE GÄNSEPRINZESSIN" KARYA FRANK STOYE
items: REPRESENTASI AKTOR DALAM WACANA KONFLIK ISRAEL-GAZA PADA ARTIKEL BERITA "DEUTSCHE WELLE": "ISRAEL BEREITET VERSCHÄRFUNG DER GAZA-ANGRIFFE VOR" ANALISIS WACANA KRITIS
items: DINAMIKA POSISI PEREMPUAN PADA SERIAL "DIE KAISERIN"
items: SINISME DALAM KUMPULAN INSTAPUISI @MELISSA.EBELING
items: KONFLIK BATIN TOKOH ISI DALAM FILM "ISI UND OSSI" KARYA OLIVER KIENLE

"LIEBE" DALAM INSTAPUISI JULIA ENGELMANN : KAJIAN SEMIOTIKA FERDINAND DE SAUSSURE
type: item
description: This study aims to describe the signifier and signified of Liebe and examine the relationship between them in Julia Engelmann's Instapoetry based on Ferdinand de Saussure's semiotic theory. The research data consist of Instapoetry posts from the Instagram account @_juliaengelmann containing the word Liebe. The study also focuses on revealing the meaning of Liebe as constructed through the relationship between its signifier and signified within the textual context of each Instapoetry. This research employed a descriptive qualitative approach using documentation and text analysis techniques. The analysis was conducted by identifying the primary signifier, describing the signifier and signified of Liebe, and examining the relationship between them. The findings reveal that the lexical signifier Liebe does not consistently produce the same signified; instead, its meaning varies according to the textual context of each Instapoetry. The relationship between the signifier and signified of Liebe represents various meanings of Liebe/love, namely (1) love as a positive value, (2) non-prioritized love, (3) unattainable love, (4) uncertain love, (5) love as a positive value, (6) memorable love, (7) new love, (8) eternal love, (9) uncertain love, and (10) love as a foundation of truth. These findings indicate that the meaning of signs in Instapoetry is contextual, as the relationship between the signifier and the signified is constructed through the linguistic structure of each poem. Keywords : Liebe, Signifier, Signified, Instapoetry References (Daftar Pustaka) Barzah, A. Z. D. A., & Abdul Muntaqim Al Anshory. (2022). Makna Cinta Dalam Lirik Lagu Bismillah Cinta Karya Sigit Purnomo: Analisis Semiotika Ferdinand De Saussure. Hasta Wiyata, 5(2), 165–177. https://doi.org/10.21776/ub.hastawiyata. 2022.005.02.07 Fatmawati, N. E. (2019). Aspek Citraan dan Bahasa Figuratif pada Buku Antologi Puisi “Suluk Nang, Ning, Nung” Karya Handoko F. Zainsam. Diskursus: Jurnal Pendidikan Bahasa I…
creator: Michaela Ajita Maharani
creator: Lutfi Saksono
rights: Copyright (c) 2026 GERBANG
date: 2026-07-08
publication date: 2026-07-08
volume: 15
number: 2
starting page: 56
ending page: 67
doi: 10.26740/gbj.v15n2.p56-67

PELANGGARAN PRINSIP KERJA SAMA DALAM FILM DAS LEBEN DER ANDEREN KARYA FLORIAN HENCKEL VON DONNERSMARCK
type: item
description: This study aims to describe the violations of the Cooperative Principle that lead to the formation of conversational implicatures and to explain their functions in the film Das Leben der Anderen (2006) directed by Florian Henckel von Donnersmarck. The film depicts communication in the context of surveillance by the East German State Security (Stasi), where speakers often convey meanings indirectly to achieve particular communicative purposes. These interactions provide a rich source for pragmatic analysis. This research employs a qualitative approach with a descriptive method. The data consist of utterances containing conversational implicatures produced by the characters in the film. The data were collected through observation and note-taking techniques and analyzed using Grice's (1989) Cooperative Principle, Halliday's context of situation, and speech act theory to identify the functions of the resulting implicatures.The findings indicate that conversational implicatures are formed through violations of the maxims of quantity, quality, relation, and manner. Such violations allow speakers to communicate implied meanings that cannot be understood solely from the literal interpretation of their utterances but require consideration of the conversational context. Furthermore, the identified implicatures perform representative, directive, expressive, commissive, and declarative functions. The study concludes that violations of the Cooperative Principle serve as pragmatic strategies for expressing hidden intentions, maintaining interpersonal relationships, and conveying meanings effectively within the social and political context portrayed in the film.. Keywords: context, conversational implicature, Cooperative Principle, Discourse, Film. REFERENCES Bogdan, Robert C., & Knopp Biklen. (1982). Qualitative research for education: An introduction to theory and methods. Boston: Allyn and Bacon. Bordwell, D., Thompson, K., & Smith, J. (2010). Film art: An introduction (Vol. 7)…
creator: Mohammad Sabian Navaro Al-Fawwaz
creator: Wisma Kurniawati
rights: Copyright (c) 2026 GERBANG
date: 2026-07-21
publication date: 2026-07-21
volume: 15
number: 2
starting page: 299
ending page: 307
doi: 10.26740/gbj.v15n2.p299-307

FUNGSI SINTAKSIS PREPOSISI "IN" DAN "AUF" PADA DONGENG "DAS KLEINE KÄNGURU UND SEINE FREUNDE" KARYA PAUL MAAR
type: item
description: This study presents a contrastive analysis of the syntactic functions of the German prepositions in and auf in the fairy tale Das kleine Känguru und seine Freunde by Paul Maar. As Wechselpräpositionen (two-way prepositions), both in and auf can govern either the Dative or the Accusative case depending on the sentence context, a duality that remains a persistent source of difficulty for learners of German. This study aims to (1) describe the syntactic functions of in and auf as Ergänzung (obligatory complement) and Angabe (optional adjunct), and (2) analyze the case-selection patterns of both prepositions based on their correlation with verbs. A qualitative descriptive method was employed, with data collected through a reading and note-taking technique from all twelve stories in the source text, yielding 208 data points containing in and auf. Data were analyzed through three stages: determining the grammatical case, identifying the syntactic function based on the theories of Helbig and Buscha (2001) and Engel's valency theory (1993) through three criteria (Notwendigkeitskriterium, Fragekriterium, and Verbgebundenheit), and conducting a contrastive analysis of case distribution, syntactic functions, and verb correlations. The findings reveal that both prepositions function as Ergänzung, comprising Situativergänzung, Direktivergänzung, and Präpositivergänzung, as well as Angabe, comprising Lokalangabe, Temporalangabe, and Modalangabe. The Dative case correlates with static-position verbs, whereas the Accusative correlates with motion verbs. The fundamental semantic distinction between the two prepositions lies in containment (in) and surface contact (auf). These findings are expected to contribute to concept-based teaching of Wechselpräpositionen. Keywords: syntactic function, in, auf, Wechselpräpositionen References Bogdan, R. C., & Biklen, S. K. (1998). Qualitative research for education: An introduction to theory and methods (3rd ed.). Allyn and Bacon. Dusza, S. (20…
creator: Rifita Helnayanti
creator: Ajeng Dianing Kartika
rights: Copyright (c) 2026 GERBANG
date: 2026-07-28
publication date: 2026-07-28
volume: 15
number: 2
starting page: 486
ending page: 499
doi: 10.26740/gbj.v15n2.p486-499

MORALITY OF THE CHARACTER SERGEANT RASMUSSEN IN THE FILM "UNDER SANDET"
type: item
description: This study examines the shift in moral values of the character Sergeant Carl Rasmussen in the film Under sandet (2015) by Martin Zandvliet through the perspective of Friedrich Nietzsche's genealogy of morals. The objective of this study is to describe Rasmussen's initial moral values toward German soldiers, identify the factors influencing the shift in his moral values, and analyze this shift using Nietzsche's framework of the genealogy of morals. The analysis method used is a descriptive qualitative method with a textual analysis approach. The data consists of scenes and dialogues in the film, as well as literature on Nietzsche's philosophy. The results show that at the beginning of the film, Rasmussen's moral values are rooted in slave morality (Sklavenmoral), arising from collective ressentiment due to the German occupation of Denmark. This manifests as a collective opposition between the Danish group and the German occupiers, without acknowledging the individual suffering of the prisoners. The shift in his moral values is driven by the intensity of personal interactions with the prisoners. Genealogically, Rasmussen's initial hatred constitutes Herkunft (a lineage of collective experience) rather than Ursprung (a fixed nature), and these personal interactions fracture the initial good–evil opposition based on group identity. Ultimately, Rasmussen's moral shift is an authentic transvaluation of values (Umwertung der Werte): he creates his own values from personal experience, rather than merely reversing good and evil between two collective groups Keywords: Genealogy of Morals, Nietzsche, Ressentiment, Transvaluation of Values, Under sandet References: Bordwell, D. (2016). Film art: an Introduction. New York: McGraw-Hill Education https://archive.org/details/filmartintroduct0000bord_j3o9/page/73/mode/1up Bertens, K. (2007). Etika. Jakarta: PT Gramedia Pustaka Utama. Cahyanto, D. W. (2023). Moralitas menurut Friedrich Nietzsche: Eksplorasi "mentalitas budak". Procee…
creator: Putriyana Hema Turnip
creator: Wisma Kurniawati
rights: Copyright (c) 2026 GERBANG
date: 2026-07-29
publication date: 2026-07-29
volume: 15
number: 2
starting page: 554
ending page: 568
doi: 10.26740/gbj.v15n2.p554-568

KONFLIK SOSIAL ANTAR TOKOH PADA DONGENG KARYA DOERTE MUELLER
type: item
description: Literary works reflect social reality and the conflicts of human life. Modern fairy tales function not only as a form of entertainment but also as social documents that portray the dynamics of interpersonal relationships and the social environment. This study aims to describe the forms of external conflict among characters in three fairy tales by Dörte Müller, namely Der goldene Umhang, Isabella und der reißende Fluss, and Lisa und die Fee. This research employs a qualitative descriptive method using the sociology of literature approach based on the perspectives of René Wellek and Austin Warren. The conflict analysis is based on Burhan Nurgiyantoro's theory of conflict. The research data consist of narrative passages and dialogues among characters that explicitly or implicitly contain elements of external conflict. Data were collected through intensive reading and note-taking techniques, while data analysis was conducted by categorizing the collected data. The findings reveal 10 instances of social conflict manifested through interactions among characters, including quarrels, oppression, domination, conflicting interests, and bullying. Specifically, (1) in Der goldene Umhang, social conflict is manifested in marital disputes between Jochen and Klara, triggered by differences in life perspectives and economic conditions; (2) in Isabella und der reißende Fluss, social conflict is reflected in acts of oppression, exploitation, and restrictions on Isabella's freedom; and (3) in Lisa und die Fee, social conflict is represented through verbal and nonverbal bullying committed by Hannes against Lisa both inside and outside the school environment. This study demonstrates that Dörte Müller's modern fairy tales successfully represent contemporary social conflicts, including dissatisfaction in married life, exploitation, and bullying. References Ahmad, Pana Pramulia dan Zulkifli Pramudya Ahmad. (2025). Konflik Sosial Dalam Novel Yang Telah Lama Pergi Perspektif Lewis A. Coser J…
creator: Roh Ainur Bima Elisa Elisa
creator: Ajeng Dianing kartika
rights: Copyright (c) 2026 GERBANG
date: 2026-07-13
publication date: 2026-07-13
volume: 15
number: 2
starting page: 186
ending page: 194
doi: 10.26740/gbj.v15n2.p186-194

GAYA HIDUP URBAN DALAM FILM "BETONRAUSCH" (2020) KARYA CÜNEYT KAYA
type: item
description: ABSTRACT This study examines the representation of urban lifestyle in the characters of the film through a film narrative approach, Stuart Hall’s representation theory, and Pierre Bourdieu’s concept of capital. This study aims to identify how narrative elements, language, and signs in the film represent urban lifestyle through economic capital, cultural capital, and social capital in Viktor’s character. The research method used is descriptive qualitative with data analysis techniques through the identification of storylines, dialogues, character actions, properties, and social interactions presented in the film. The results show that Viktor’s urban lifestyle is represented through the development of the storyline, which illustrates changes in identity, the achievement of social status, property ownership, the use of false documents, social relationships, and involvement in economic and administrative systems. Through language and signs, the film constructs representations of how individuals build identities and obtain social positions within an urban environment. This study demonstrates that urban lifestyle in the film is not only represented through material aspects but also through individual strategies in constructing identity, utilizing social relations, and adapting to existing social structures. Keywords: representation, urban lifestyle, film, narrative structure. References Ardiansyah, F., & Kurniawati, W. (2025). Representasi Kehidupnan Remaja Pada Tokoh Maik Dalam Film Tschick Karya Fatih Akin. Bogdan, Robert C., & Knopp Biklen. (1982). Qualitative research for education: An introduction to theory and methods. Boston: Allyn and Bacon. Bordwell, D., Thompson, K., & Smith, J. (2010). Film art: An introduction (Vol. 7). McGraw-Hill New York. Bourdieu, P. (1984). Distinction: A Social Critique of the Judgement of Taste. Hall, S. (1997). Representation: Cultural Representation and Signifying Practices. Sugiyono. (2013). Metode Penelitian Kuantitatif, Kualitatif,…
creator: Shafa Dhiya Sujatmiko
creator: Wisma Kurniawati
rights: Copyright (c) 2026 GERBANG
date: 2026-07-19
publication date: 2026-07-19
volume: 15
number: 2
starting page: 231
ending page: 240
doi: 10.26740/gbj.v15n2.p231-240

KONFLIK MENDEKAT-MENJAUH PADA TOKOH HUI BUH DALAM FILM "HUI BUH UND DAS HEXENSCHLOSS" KARYA SEBASTIAN NIEMANN
type: item
description: ABSTRACT This research examines the inner conflict experienced by Hui Buh, the main character of the German fantasy-comedy film “Hui Buh und das Hexenschloss” (2022) directed by Sebastian Niemann, using Kurt Lewin’s conflict theory and three-stage change model as the analytical framework. The problems addressed in this research are: (1) what forms of inner conflict does the character Hui Buh experience? and (2) how are those conflicts resolved? This research uses a qualitative descriptive approach with a documentation technique, namely repeated viewing of the film, marking dialogue and scenes that indicate inner conflict, then analyzing them based on Lewin's (1951) concepts of driving force and restraining force. The findings show that all seven instances of inner conflict experienced by Hui Buh belong to the approach-avoidance conflict category, while no approach-approach or avoidance-avoidance conflict was found. The conflict stems from the tension between Hui Buh's personal ambition to become the most terrifying ghost, his fear of witches, and his responsibility toward the people he loves. This research also finds that the resolution of Hui Buh's inner conflict occurs through three stages of Lewin's change model, consisting of one unfreezing datum, one moving datum, and two refreezing data, showing that Hui Buh's self-awareness develops into concrete action until his new behavior becomes stable and is accepted by his social environment. Keywords: inner conflict, approach-avoidance conflict, Lewin's change theory, Hui Buh. DAFTAR PUSTAKA Abrams, Meyer Howard dan Geoffrey Galt Harpham. 2009. A Glossary of Literary Terms. Edisi ke-9. Boston: Wadsworth Cengage Learning. Afifi, Muhammad Khairul Al-' dan Raden Roro Dyah Woroharsi Parnaningroem. 2025. "Konflik Batin Tokoh Utama dalam Film Im Westen Nichts Neues Karya Edward Berger: Analisis Psikologi Sastra." Journal Gerbang, 14(2015). Burnes, Bernard. 2004. "Kurt Lewin and the Planned Approach to Change: A Re-appraisal…
creator: Heny Fais
creator: Raden Roro Dyah Woroharsi Parnaningroem
rights: Copyright (c) 2026 GERBANG
date: 2026-07-22
publication date: 2026-07-22
volume: 15
number: 2
starting page: 323
ending page: 336
doi: 10.26740/gbj.v15n2.p323-336

ALUR FILM "DIE GÄNSEPRINZESSIN" BERDASARKAN TEORI TIGA BABAK
type: item
description: This study aims to describe and analyze the plot structure in the film Die Gänseprinzessin (2022) based on Syd Field’s Three-Act Structure theory. This 60-minute television film in the family fantasy genre was chosen as the research object because it presents a clear and well-organized narrative structure suitable for structural analysis. The research employs a qualitative descriptive approach with content analysis technique. Data were collected through repeated viewing of the film and note-taking on important scenes related to the plot development. The primary data were obtained directly from the film and analyzed using Field’s Three-Act Structure theory, which divides the story into three main acts: Act I (Setup), Act II (Confrontation), and Act III (Resolution). The analysis focuses not only on the internal structure of each act but also on the relationship and continuity between the acts in building a unified and meaningful plot. Special attention is given to key elements such as the inciting incident, Plot Point I, midpoint, Plot Point II, climax, and resolution. The findings reveal that Die Gänseprinzessin has successfully applied the three-act structure. Act II is the longest and most dominant part, serving as the core of conflict development through various complications and rising action. The relationship between the three acts runs logically and coherently, creating effective dramatic tension despite the film’s relatively short duration. Overall, the film demonstrates that even in a limited runtime, a well-structured plot can build strong emotional engagement and deliver a satisfying resolution for the audience. Keywords: Plot structure, Three-Act Structure, Syd Field, Die Gänseprinzessin References: Asri, R. (2020). Membaca film sebagai sebuah teks: analisis isi film “nanti kita cerita tentang hari ini (nkcthi)”. Jurnal Al Azhar Indonesia Seri Ilmu Sosial, 1(2). Bordwell, D., Thompson, K., & Smith, J. (2021). Film art: An introduction. New York: McGraw-Hi…
creator: Ghaitsa Tenri Meyzhalia
creator: Wisma Kurniawati
rights: Copyright (c) 2026 GERBANG
date: 2026-07-24
publication date: 2026-07-24
volume: 15
number: 2
starting page: 400
ending page: 408
doi: 10.26740/gbj.v15n2.p400-408

The Indirect Characteristics of the Character Marwood in the Play Miss Sara Sampson
type: item
description: This study aims to describe the characteristics of the character Marwood in the drama Miss Sara Sampson by Gotthold Ephraim Lessing. This study is motivated by the complexity of the character Marwood as an antagonist who has a strong psychological conflict and is not described directly by the author, but through dialogue and interaction between characters. The study uses Albertine Minderop's characterization theory (2011) with a focus on indirect characterization. The method used is a qualitative descriptive method. The research data source is the drama manuscript Miss Sara Sampson (1755) by Gotthold Ephraim Lessing. The research data are in the form of dialogue excerpts that show the characteristics of the character Marwood. Data collection techniques are carried out through intensive reading, recording, and classifying data based on indirect characterization categories. Data analysis techniques are carried out by describing and interpreting data based on Minderop's characterization theory. The results of the study show that the characteristics of the character Marwood are built through 37 dialogue excerpts analyzed using indirect characterization. The data consists of 11 action and behavior data, 15 vocabulary data, and 10 other character reaction data.
creator: Suci Oktaviani Putri
creator: Raden Roro Dyah Woroharsi Parnaningroem
rights: Copyright (c) 2026 IDENTITAET
date: 2026-06-18
publication date: 2026-06-18
volume: 15
number: 2
starting page: 36
ending page: 44
doi: 10.26740/ide.v15n2.p36-44

STRUKTUR NARATIF DALAM DONGENG GRIMM BERSAUDARA "DIE KLUGE ELSE" DAN "LÄUSCHEN UND FLÖHCHEN": KAJIAN FUNGSI NARATIF VLADIMIR PROPP
type: item
description: ABSTRACT This study examines the narrative structure of two folktales from the Brothers Grimm collection, namely Die Kluge Else and Läuschen und Flöhchen, by applying Vladimir Propp's narrative structure theory, which focuses on character functions and spheres of action. These two folktales were purposively selected because they represent two different folktale genres, namely the humorous (comic) tale and the cumulative tale, thereby enabling an examination of the consistency of Propp's framework across genres within the same Brothers Grimm collection. This study employs a descriptive qualitative approach, with data consisting of sentences from the original German texts collected through documentation and note-taking techniques and subsequently analyzed through eight systematic stages. The findings reveal that not all of Propp's thirty-one character functions and seven spheres of action are fully represented in the two folktales. Die Kluge Else exhibits the highest number of character functions and spheres of action, comprising twenty-one character functions and two spheres of action, whereas Läuschen und Flöhchen contains the fewest, with eight character functions and one sphere of action. These findings demonstrate that the number of character functions and spheres of action is not necessarily directly proportional but rather depends on the characteristics of the folktale genre and the distribution of character roles within each tale. Furthermore, the findings reaffirm the flexibility and relevance of Propp's structural framework in accommodating the diversity of genres found in the Brothers Grimm folktale collection. Keywords: Grimm Brothers' Fairy Tales, Character Functions, Spheres of Action, Narrative Structure. References: Danandjaja, J. (1984). Folklor Indonesia: ilmu gosip, dongeng dan lain-lain. In Grafiti Pers (hal. 231). https://books.google.co.id/books?id=dtciAAAAMAAJ Dundes, A. (1980). Interpreting Folklore. In Indiana University Press (hal. 304). http…
creator: Renancy Putri Nan Mega
creator: Wisma Kurniawati
rights: Copyright (c) 2026 GERBANG
date: 2026-07-10
publication date: 2026-07-10
volume: 15
number: 2
starting page: 91
ending page: 104
doi: 10.26740/gbj.v15n2.p91-104

FOKALISASI POLLY DALAM FILM "DIE GÄNSEPRINZESSIN" KARYA FRANK STOYE
type: item
description: ABSTRACT This study examines the focalization of the character Polly in the film Die Gänseprinzessin by Frank Stoye, using Gérard Genette's (1980) narratology as the primary theory and Suzanne Keen’s (2006) narrative empathy theory as a supporting framework. This research aims to describe the forms of internal, zero, and external focalization that emerge through the knowledge relation between Polly and the viewer, and to explain the function of focalization in regulating information distribution and construction conflict throughout the film’s narrative. This study employs a descriptive qualitative method with a narrative analysis approach. Data consist of 41 narrative units purposively selected from the film’s dialogue transcripts and scenes, analyzed through observation, documentation, and literature review techniques. The findings show that fixed internal focalization centered on Polly dominates the film’s narrative structure (28 data units), with the film consistently restricting the viewer’s knowledge to Polly’s experience and awareness ( Viewer = Polly). This dominance remains stable across the palace phase, the escape phase, the revelation of Nepomuk’s identity, and the leadership constructing resolution phase. In addition, zero focalization was found in 11 data units, dramatic irony (Viewer > Polly), while external focalization appeared in 2 data units that display only characters’ outward actions without access to their consciousness (Viewer < Character). Polly’s focalization functions doubly as a mechanism for information distribution and as a constructor of individual, family, and social conflict, while also potentially opening space for cognitive and affective empathy as an additional narrative effect. This research extends the application of Genette's focalization theory to film without a verbal narrator through the operationalization of the formula Viewer = / > / < Polly. Keywords: focalization, information distribution, narratology, Genette, narrative …
creator: Nurhaliza Nurhaliza
creator: Wisma Kurniawati
rights: Copyright (c) 2026 GERBANG
date: 2026-07-28
publication date: 2026-07-28
volume: 15
number: 2
starting page: 513
ending page: 526
doi: 10.26740/gbj.v15n2.p513-526

KOMPARATIF FUNGSI NARATIF VLADIMIR PROPP PADA "SCHNEEWITTCHEN" DAN "ASCHENPUTTEL"
type: item
description: This study aims to compare the narrative structure of the fairy tales Schneewittchen and Aschenputtel from the Brüder Grimm collection (Kinder- und Hausmärchen) by using Vladimir Propp’s morphology of the folktale theory. Utilizing a qualitative method with a comparative analysis approach, this study maps the sequence of narrative functions to identify the similarities and differences in the fundamental structure of both fairy tales. The results show that both fairy tales adhere to Propp’s linear plot rules, beginning with the Initial Situation (α) and Absentation (β) due to the biological mother’s death then came the stepmother, and concluding with the Liquidation of Lack (K), Wedding (W), and Punishment (U). The main differences lie in three aspects. First, the conflict trigger in Schneewittchen is actively driven by the Villainy (A) narrative function, whereas Aschenputtel is driven passively through the Lack (a) function. Second, the variation of triplication in Schneewittchen occurs within the antagonist through the narrative functions of Reconnaissance (ϵ), Trickery (η), and Villainy (A), while in Aschenputtel, it occurs within the Hero character through the functions of Departure (↑), Hero’s Reaction (ϵ), and Receipt of a Magical Agent (F). Third, Aschenputtel experiences a function sequence shift (transposition) in the functions of Branding (J) and Return (↓), whereas the structure of Schneewittchen moves constantly. In conclusion, this study proves Propp’s view regarding the universality of the logical structure of fairy tales amidst the diversity of their motif manifestations. Keywords: Grimm Brothers´ Fairy Tales, Narrative Functions, Vladimir Propp, Schneewittchen, Aschenputtel. References: Bausinger, H. (1984). Zu Sinn und Bedeutung der Märchen. Tübingen: Universität Tübingen. Berghammer, F. (2020). Darstellungsformen der Frauenrolle im Märchen: Eine Analyse aus typologischer, erzähltheoretischer und genderkritischer Sicht anhand ausgewählter Texte der …
creator: Jeehan Hidayat
creator: Wisma Kurniawati
rights: Copyright (c) 2026 GERBANG
date: 2026-07-18
publication date: 2026-07-18
volume: 15
number: 2
starting page: 216
ending page: 230
doi: 10.26740/gbj.v15n2.p216-230

ADAPTASI UNSUR INTRINSIK DALAM EKRANISASI NOVEL "DER VORLESER" KARYA BERNHARD SCHLINK KE FILM "THE READER" KARYA STEPHEN DALDRY
type: item
description: Film adaptation involves transforming a literary work into a cinematic medium, requiring adjustments due to the different characteristics of both media. These adjustments often result in changes to intrinsic elements, including characterization, setting, and plot. This study aims to describe the forms of adaptation applied to these elements in the transformation of Bernhard Schlink’s novel Der Vorleser into Stephen Daldry’s film The Reader. The data sources include the novel Der Vorleser, the film The Reader, and the German subtitle transcription, while the research data consist of textual excerpts and film scenes showing adaptation changes. This study employs a descriptive qualitative method using the simak-catat (observation and note-taking) technique. Data analysis is conducted through a comparative approach based on Eneste’s (1991) adaptation theory of reduction, addition, and variation, as well as Nurgiyantoro’s (2013) theory of intrinsic elements. The findings reveal that the adaptation process applies three strategies: reduction, addition, and variation. Reduction is the dominant strategy, primarily used to achieve narrative efficiency due to film duration limitations. Meanwhile, addition and variation serve as creative adjustments to strengthen characterization, clarify settings, and enhance visual storytelling. These transformations demonstrate that film adaptation is not merely a process of transferring a narrative from one medium to another, but rather an act of reinterpretation aimed at creating a more engaging and effective cinematic experience while preserving the essence of the original work. Keywords: film adaptation, intrinsic elements References: Eneste, P. (1991). Novel dan Film. Flores: Nusa Indah. Harjito. (2005). Sastra dan Manusia: Teori dan Terapannya. Semarang: Fakultas Pendidikan Bahasa dan Seni IKIP PGRI Semarang. Nurgiyantoro, B. (2013). Teori Pengkajian Fiksi. Yogyakarta: Gadjah Mada University Press. Pratiwi, H. D. (2019). Kajian Ekrani…
creator: Sausan Meta Taqy Tiakandy
creator: Lutfi Saksono
rights: Copyright (c) 2026 GERBANG
date: 2026-07-21
publication date: 2026-07-21
volume: 15
number: 2
starting page: 285
ending page: 298
doi: 10.26740/gbj.v15n2.p285-298

CHARACTER ARC TOKOH KARL DALAM FILM DIE LIEBESKÜMMERER (2024) KARYA SHIREL PELEG
type: item
description: This study discusses the character development of Karl in the film Die Liebeskümmerer (2024) by Shirel Peleg. The aim of this study is to describe Karl’s character development and to analyze the factors that influence his character development. This study uses a descriptive qualitative approach. The data consint of dialogues and scenes from the film. The data are analyzed using K.M. Weiland’s (2016) Character Arc theory and Boggs & Petrie’s (1996) film structure theory. The results show that Karl experiences a positive character arc through the stages of exposition, rising action, climax, falling action, and resolution. At the beginning of the film, Karl is potrayed as a rational, skeptical, and defensive person toward emotional involvement, because of his past experience (lie ghost), which create a lie belief that love only brings pain and the loss of freedom. Karl’s interaction with Maria and his emotional experiences during the counseling process encourage him to reflect on his beliefs. At the end of the film, Karl becomes more open about his feelings, is willing to accept emotional risks and has the courage to express his love and commitment. This study concludes that Karl’s character development is built through a structured narrative process and is influenced by conflict and social relationships. Keywords: character development, character arc, K.M. Weiland, Die Liebeskümmerer. References Arp, T., & Johnson, G. (2008). Perrine’s Literature: Structure, Sound, and Sense. https://www.academia.edu/2539110/Literature_Structure_sound_and_sense Boggs, J. M., & Petrie, D. W. (1996). The Art of Watching Film. Bordwell, D., Thompson, K., & Smith, J. (2010). Film art: An introduction (Vol.7). McGraw-Hill New York. Chatman, S. B. (1978). Story and Disource: Narrative Structure in Fiction and Fim. https://www.researchgate.net/publication/259833523_Story_and_Discourse_Narrative_Structure_in_Fiction_and_Film_by_Seymour_Chatman Denzin, N. K., & Lincoln, Y. S. (2017). The SAGE …
creator: Amanda Nasywa Samiyah
creator: Ajeng Dianing Kartika
rights: Copyright (c) 2026 GERBANG
date: 2026-07-22
publication date: 2026-07-22
volume: 15
number: 2
starting page: 355
ending page: 364
doi: 10.26740/gbj.v15n2.p355-364

The NEULOGISM IN ADIDAS ADVERTISEMENT PAGE
type: item
description: This research discusses the use of neologism in Adidas advertisements. The purpose of this research is to describe the forms of neologism contained in Adidas advertisements. This research uses a qualitative descriptive method with data sources in the form of words, phrases, and product names found in Adidas advertisements in digital media and the official Adidas website. The theory used in this study is the neologism theory according to Shchipitsina (2009) and the word formation theory according to George Yule (2010). Data collection techniques are carried out through a documentation study by observing and recording words that contain neologism elements in Adidas advertisements. The data was then analyzed based on the type and process of word formation. The research results show that there are several types of neologisms in Adidas advertisements, namely compounding, blending, acronym, borrowing, coinage, and derivation. The most dominant form of neologism used is compounding and blending. Some examples of neologism found include "Ultraboost", "Adizero", "Climacool", "Runfalcon", and "NMD". The use of neologism in Adidas advertising has the function of attracting consumer attention, building brand identity, creating a modern and innovative impression, and strengthening global marketingstrategies. Based on the research results, it can be concluded that the neologism in Adidas advertisements not only serves as a language variation, but also as an effective persuasive communication strategy in the modern world of advertising and marketing.
creator: Ruth Tirza Elisabeth Lengkong
creator: Agus Ridwan
rights: Copyright (c) 2026 IDENTITAET
date: 2026-05-29
publication date: 2026-05-29
volume: 15
number: 2
starting page: 10
ending page: 19
doi: 10.26740/ide.v15n2.p10-19

THE USE OF THE TRANSPOSITION TRANSLATION TECHNIQUE FOR GERMAN NOUN PHRASES IN "NADI MAGAZINE", VOLUME 28, 2021
type: item
description: This study aims to describe the use of the transposition translation technique for German noun phrases in Indonesian in NADI Magazine, Volume 28, 2021. The study employs a descriptive qualitative approach, with data sources consisting of bilingual articles in German and Indonesian published in the magazine. The research data consist of noun phrases that underwent transposition during the translation process. Data collection was conducted using the documentation technique, while data analysis was based on Catford’s (1965) theory of translation shifts, which includes class shift, structure shift, unit shift, and intra-system shift. The results of the study indicate that all of these shift categories were found in the translation of noun phrases. Structural shift was the most dominant type due to differences in phrasing patterns between German—which tends to use an attributive pattern where the attribute (atribute) precedes the head (kern)—and Indonesian, which uses a pattern where the head of the noun phrase comes first and is then modified by its attributes. In addition, shifts in grammatical category, shifts in units resulting from the translation of German compound words into Indonesian phrases, and intra-system shifts related to the number system were also identified. These findings indicate that the technique of transposition plays a crucial role in producing translations that are accurate, natural, and consistent with the rules of the target language. Keywords: transposition, noun phrases, German, Indonesian. References: Catford, J. C. (1965). A Linguistic Theory of Translation. Oxford: Oxford University Press. Chaer, A. (2015). Sintaksis bahasa Indonesia: Pendekatan proses. Rineka Cipta. Engel, U. (1996). Deutsche Grammatik. Heidelberg: J. Groos. Fitria, T. N. (2021). Translation technique of English to Indonesian in literary texts. Journal of English Language Teaching and Literature, 4(1), 45–52. Helbig, G., & Buscha, J. (2018). Deutsche Grammatik: Ein Handbuc…
creator: Andi Valendynie Yukiko
creator: Agus Ridwan
rights: Copyright (c) 2026 GERBANG
date: 2026-07-27
publication date: 2026-07-27
volume: 15
number: 2
starting page: 460
ending page: 474
doi: 10.26740/gbj.v15n2.p460-474

"SATZMETAPHER" DALAM LAGU DU KARYA PETER MAFFAY
type: item
description: ABSTRACT This study aims to describe the forms and meanings of sentence metaphor (Satzmetapher) found in the lyrics of the song Du by Peter Maffay. The song Du, released in 1970 and which became a number-one hit in Germany, was selected as the object of this study because it contains the strongest theme of the totality of love compared to the other songs in the album Für das Mädchen, das ich liebe, in which the beloved is frequently identified directly with abstract concepts such as "everything" and "purpose of life". This study employs a qualitative descriptive approach, with documentation and reading-note-taking techniques used for data collection, as well as the interactive analysis model of Miles et al. (2013), which refers to the stylistic theory of Aurnhammer et al. (in Ridwan, 2017). The findings reveal three instances of Satzmetapher in the song Du: "Du bist alles, was ich habe auf der Welt", "Ich lebe nur noch für dich", and "Ich hab' ein Ziel und dieses Ziel bist Du". These three data show that sentence metaphor is formed through a combination of several sentence elements that reinforce one another, thereby producing a complete figurative expression that cannot be reduced to a single word or phrase. These findings confirm that Satzmetapher functions as the primary means of portraying love as the center of the lyrical subject's existence, while also reinforcing the view that sentence metaphor plays a distinctive role in expressing emotional experiences that are total and comprehensive in nature. Keywords: Satzmetapher, stylistic References: Kumala, Y. H., & Saksono, L. (2021). Metafora dalam Album Jetzt Erst Recht oleh Lafee. Surabaya, 10(02), 9. Lakoff, G., & Johnson, M. (2003). Metaphors We Live By.pdf (p. 129). Lexy J Moleong. (2021). Metodologi penelitian kualitatif. PT: Remaja Rosdakarya. Miles, M. B., Huberman, A. M., & Saldana, J. (2013). Qualitative Data Analysis: A Methods Sourcebook. SAGE Publications. Richards, I. A. (1936). The Philosophy of Rhe…
creator: Wilibrodus Lalang
creator: Raden Roro Dyah Woroharsi Parnaningroem
rights: Copyright (c) 2026 GERBANG
date: 2026-07-10
publication date: 2026-07-10
volume: 15
number: 2
starting page: 68
ending page: 80
doi: 10.26740/gbj.v15n2.p68-80

REPRESENTASI AKTOR DALAM WACANA KONFLIK ISRAEL-GAZA PADA ARTIKEL BERITA DEUTSCHE WELLE ‘ISRAEL BEREITET VERSCHÄRFUNG DER GAZA-ANGRIFFE VOR’: ANALISIS WACANA KRITIS
type: item
description: ABSTRACT This study aims to examine the representation of actors in Deutsche Welle's news article ‘Israel bereitet Verschärfung der Gaza-Angriffe vor’ by applying Teun A. van Dijk's Critical Discourse Analysis (CDA) framework. This study applied a qualitative approach using a single news article published on May 4, 2025, as the primary data source. Data were collected through documentation and analyzed at three levels: macrostructure, microstructure, and social cognition, focusing on thematic organization, schematic structure, lexical choices, syntactic patterns, rhetorical strategies, local coherence, and the relationship between discourse and its socio-political context. The findings reveal that actor representation is constructed through discursive strategies that reflect particular ideological perspectives rather than neutral reporting. At the macrostructural level, the article frames Israel's military escalation as a legitimate response to security threats, while at the microstructural level Israel is predominantly represented through institutional and technical language that reinforces its legitimacy, whereas Hamas is consistently portrayed using negatively charged lexical expressions emphasizing violence and barbarity. Furthermore, humanitarian representation is asymmetrical, as Israeli civilian suffering is described in greater detail and evokes empathy, whereas Palestinian civilian casualties are more frequently presented through passive constructions, omission of agency, and less personalized descriptions. From the perspective of social cognition, these discursive patterns are closely associated with Germany's Staatsräson doctrine, which functions as a shared ideological framework influencing journalistic practices. Overall, the study demonstrates that actor representation emerges from the interaction of textual structures, social cognition, and socio-political context, thereby reproducing ideological positions and power relations within international medi…
creator: Shafira Pramesti
creator: Wisma Kurniawati
rights: Copyright (c) 2026 GERBANG
date: 2026-07-13
publication date: 2026-07-13
volume: 15
number: 2
starting page: 155
ending page: 170
doi: 10.26740/gbj.v15n2.p155-170

KONSTRUKSI MAKNA PASCAPERANG DALAM CERPEN WOLFGANG BORCHERT
type: item
description: This study examines the representation of post-war life in five short stories by Wolfgang Borchert, namely Das Brot, Die Küchenuhr, Nachts schlafen die Ratten doch, Die drei dunklen Könige, and An diesem Dienstag. The research employs Stuart Hall’s theory of representation, which views representation as a process of constructing meaning through language, signs, and cultural codes rather than as a direct reflection of reality. Using a descriptive qualitative approach and literary text analysis, the data consist of narrative excerpts, dialogues, symbols, settings, and characters’ actions that function as signifying practices. The analysis is conducted by identifying the relationship between sign, concept, and meaning in each datum. The findings reveal that post-war life is represented through six dominant patterns of meaning: food scarcity, psychological trauma, loss, social destruction, moral shifts, and solidarity and hope. These categories are analytical classifications developed by the researcher based on recurring representational patterns and are not concepts proposed by Stuart Hall. The study also demonstrates that ordinary objects, domestic spaces, and everyday actions are transformed into cultural signs whose meanings are constructed through the historical and socio-cultural context of post-war Germany. Consequently, Borchert’s short stories represent post-war life not merely by depicting historical events but by constructing cultural meanings concerning suffering, survival, humanity, and collective memory through interconnected signifying practices. These findings reinforce Hall’s argument that meaning is culturally produced through representation rather than inherently embedded in objects or events. Keywords: representation, Stuart Hall, post-war life, Wolfgang Borchert, Trümmerliteratur. Abrams, M. H., & Harpham, G. G. (2005). A glossary of literary terms (9th ed.). Cengage Learning. Barker, C., & Jane, E. A. (2016). Cultural studies: Theory and practice (…
creator: Shabrina Nurfitria
creator: Wisma Kurniawati
rights: Copyright (c) 2026 GERBANG
date: 2026-07-13
publication date: 2026-07-13
volume: 15
number: 2
starting page: 170
ending page: 185
doi: 10.26740/gbj.v15n2.p170-185

METAFORA KONSEPTUAL DALAM BERITA POLITIK "DEUTSCHE WELLE" KARYA CRISTOPH HASSEL BACH
type: item
description: Language in news texts does not merely function to convey facts, but also serves as a means of framing reality to make it more comprehensible to readers, and one method frequently employed to achieve this is metaphor. In cognitive linguistics, metaphor is understood not merely as a linguistic ornament but as a mode of thinking that helps humans comprehend abstract concepts through other, more familiar concepts, and it is this cognitive function of metaphor that becomes the central concern of the present study. This research examines the conceptual metaphors found in Deutsche Welle political news texts written by journalist Christoph Hasselbach, with two main research questions: first, what forms do conceptual metaphors take in these political news texts, and second, what meanings are contained within those metaphors. Accordingly, the aim of this study is to describe both the forms and the meanings of conceptual metaphors used in the news texts under analysis. The data sources consist of five political news articles obtained from the official Deutsche Welle website, published between 2025 and 2026, namely "Nach einem Jahr Trump droht der transatlantische Bruch," "G20-Gipfel in Afrika ohne Trump, Xi und Putin, aber mit Merz," "Deutschlands Flirt mit Indien," "Deutschlands Außenpolitik 2026," and "Deutschland setzt im Streit mit Trump auf die Hilfe Melonis." The data were collected through a note-taking observation technique before being analyzed using Lakoff and Johnson's (2003) Conceptual Metaphor Theory to determine both the types and the meanings of the metaphors present in the texts. The findings of this study reveal that there are fifteen instances of conceptual metaphors identified in the analyzed news texts, encompassing structural, ontological, and orientational metaphors. Based on these findings, it can be concluded that metaphors in political news texts function not merely as stylistic choices but as cognitive tools that help readers understand political iss…
creator: Roissatul Azizah
creator: Ajeng Dianing Kartika
rights: Copyright (c) 2026 GERBANG
date: 2026-07-19
publication date: 2026-07-19
volume: 15
number: 2
starting page: 241
ending page: 254
doi: 10.26740/gbj.v15n2.p241-254

INTROVERT THINKING SEBAGAI TIPE KEPRIBADIAN DOMINAN TOKOH JOSEF K. DALAM NOVEL "DER PROZESS" KARYA FRANZ KAFKA
type: item
description: Literary psychology is an approach that examines the psychological dimensions of their behavior, thoughts, and emotions. Frans Kafka’s Der Prozess presents Josef K. as a protagonist with a complex psychological condition, making the novel relevant for personality analysis. This study aims to identify the personality type of Josef K. based on Carl Gustav Jung’s personality typology. The research employed a descriptive qualitative method with a literary psychology approach. The data source was the German novel Der Prozess by Franz Kafka. Data were collected using the reading and note-taking technique by identiying quaotations the reflected Josef K.’s personality traits. The collected data were analyzed through data reduction, data classification according to Jung’s personality indicators, data interpretation, and conclusion drawing. The findings revealed 81 data representing introverted personality types. The dominant personality type was Introverted Thinking with 50 data, followed by Introverted Feeling (13 data), Introverted Sensing (12 data), and Introverted Intuition (6 data). The dominance of Introverted Thinking indicates that Josef K. predominantly responds to situations through logical reasoning, critical analysis, and internal reflection rather than emotional expression or external influence. These findings demonstrate that Jung’s personality typology provides an effective framework for understanding the psychological complexity of literary characters and contributes to the development of literary psychologi studies, particulary in the analysis of character personality in literary works. Keywords: Literary Psychology, Carl Gustav Jung, Introvert Thinking, Der Prozess. DAFTAR PUSTAKA Aminuddin. 2015. Pengantar Apresiasi Karya Sastra. Bandung: Sinar Baru Algesindo. Amral S., &. S. 2022. Bahasa, Budaya dan Realitas Budaya dalam Sastra. Jurnal Ilmiah Universitas Batanghari Jambi, 22. Endraswara, Suwardi. 2013. Metodologi Penelitian Psikologi Sastra. Yogyakarta: M…
creator: Ameilia Kesya Pratiwi
creator: Raden Roro Dyah Woroharsi Parnaningroem
rights: Copyright (c) 2026 GERBANG
date: 2026-07-25
publication date: 2026-07-25
volume: 15
number: 2
starting page: 409
ending page: 421
doi: 10.26740/gbj.v15n2.p409-421

BENTUK ORKESTRASI BUNYI DALAM PUISI INSTAGRAM KARYA @_JULIAENGELMANN
type: item
description: Penelitian ini mendeskripsikan dan menganalisis bentuk orkestrasi bunyi serta pola nada dalam puisi Instagram (Instapoetry) karya @_JuliaEngelmann. Menggunakan metode deskriptif kualitatif dengan pendekatan stilistika, penelitian ini berfokus pada unsur fonik teks. Hasil analisis menunjukkan bahwa asonansi dan aliterasi merupakan elemen dasar pembentuk harmoni yang secara mutlak digunakan. Guna mempertegas makna, penyair juga memanfaatkan repetisi leksikal, anafora, serta epifora, tanpa melibatkan unsur onomatope sama sekali. Perpaduan unsur-unsur tersebut bermuara pada dominasi pola efoni (bunyi merdu) yang dibangun melalui konsonan nasal dan vokal terbuka untuk menciptakan ruang keintiman psikologis. Sebaliknya, pola kakofoni (bunyi kasar) sangat jarang muncul, dan hanya disisipkan secara taktis untuk merepresentasikan ketegangan emosi. Secara keseluruhan, orkestrasi bunyi dalam karya Engelmann tidak sekadar berfungsi estetis, melainkan beroperasi sebagai instrumen psikologis yang memfasilitasi pemulihan batin dan kesehatan mental bagi pembacanya.
creator: Rizky Amellia Dewi
creator: Lutfi Saksono
rights: Copyright (c) 2026 IDENTITAET
date: 2026-06-27
publication date: 2026-06-27
volume: 15
number: 2
starting page: 45
ending page: 55
doi: 10.26740/ide.v15n2.p45-55

SKEMA "AKTAN" DAN MODEL FUNGSIONAL A.J. GREIMAS DALAM CERPEN-CERPEN HEINRICH VON KLEIST
type: item
description: ABSTRACT Heinrich von Kleist’s short stories arrange psychological pressure, social conflict, and the pursuit of justice through intricate relations among characters and forces that drive their actions. This study aims to describe the actantial schemes and functional models that construct the narrative structures of Das Bettelweib von Locarno, Der Findling, Der Zweikampf, Das Erdbeben in Chili, and Die heilige Cäcilie. A qualitative descriptive design was employed using A. J. Greimas’s structural narratology. The data consisted of German-language quotations, dialogue, and narrative passages drawn from the five stories in the digital collection Ausgewählte Schriften. Data were collected through close reading, note-taking, and literature study, then classified according to six actantial positions, that is subject, object, sender, receiver, helper, and opponent and five functional stages comprising the initial situation, qualifying test, main test, glorifying test, and final situation. The analysis identified 37 units, including 32 actantial schemes and five functional models. Twenty-four actantial schemes contained all six positions, whereas eight lacked an explicit position. Der Zweikampf produced the most complex pattern with nine actantial schemes, while the other stories contained five or six. Despite variations in actantial completeness, each story displayed a continuous functional movement from the initial condition through transformation to a final condition. The findings demonstrate that Kleist’s narratives are organized not merely by individual characters but by changing functions, values, social pressures, supernatural forces, and conflicts that occupy actantial positions. Greimas’s framework therefore clarifies both interfunctional relations and the transformation of conflict across the five stories. Keywords: actantial scheme, functional model, narrative structure, short story References: Abdussamad, Z. (2021). Metode Penelitian Kualitatif (P. Rapanna, Ed.…
creator: Vania Apta Choirunnisa
creator: Wisma Kurniawati
rights: Copyright (c) 2026 GERBANG
date: 2026-07-27
publication date: 2026-07-27
volume: 15
number: 2
starting page: 475
ending page: 485
doi: 10.26740/gbj.v15n2.p475-485

ANALISIS HUBUNGAN SEMANTIS SEBAGAI PEMBENTUK KOHESI PADA RUBRIK "DEIN SPIEGEL"
type: item
description: ABSTRACT Semantic relations constitute one of the cohesion devices that establish textual coherence by connecting lexical units and maintaining the continuity of meaning across a text. This study aims to analyze semantic relations as a means of creating lexical cohesion in the Mein Beruf – Jobs für Kinder erklärt category of the Dein Spiegel section on the Der Spiegel online news portal. This research employed a qualitative approach with descriptive methods. The data consisted of lexical units indicating semantic relations collected through documentation techniques. The data were classified according to the semantic relations proposed by Linke, Nussbaumer, and Portmann (2004) and analyzed based on the forms and functions of lexical cohesion. The findings revealed a total of 61 instances of semantic relations functioning as lexical cohesion, comprising 42 instances of recurrence and 19 instances of substitution. Recurrence was realized through complete and partial repetition of lexical items, whereas substitution was realized through synonymy, hyponymy, hypernymy, and metaphor. The findings further indicate that recurrence maintains topic continuity by repeating lexical items referring to the same referent, while substitution preserves textual coherence through semantically related lexical variations without disrupting the continuity of meaning. This study is expected to contribute to the development of research on semantic relations as a means of creating lexical cohesion in German texts and serve as a reference for future studies on text linguistics using different linguistic data sources. Keywords: lexical cohesion, semantic relations, recurrence, substitution, Dein Spiegel. Reference: Abidin, S. (2024). Pengantar Jurnalistik Indonesia. https://upbpress.upbatam.ac.id Chaer, Abdul. (2014). Linguistik umum. jakarta: Rineka Cipta. Dianing, A., Pujosusanto, A., & Herawanto, B. (2018). Konferensi Linguistik Tahunan Atma Jaya 16. Dijk, T. A. van. (1997). Discourse as st…
creator: Alfiatus Sholihah
creator: Ajeng Dianing Kartika
rights: Copyright (c) 2026 GERBANG
date: 2026-07-28
publication date: 2026-07-28
volume: 15
number: 2
starting page: 541
ending page: 553
doi: 10.26740/gbj.v15n2.p541-553

DEIKSIS TEMPORAL "VORZEITIGKEIT" DALAM TEKS BERITA "DEUTSCHE WELLE"
type: item
description: ABSTRACT Pragmatics is the study of linguistics that views an utterance in relation to its context, not merely its literal meaning (Yule, 1996). Within pragmatics, deixis is a linguistic phenomenon whose meaning depends on the situation of utterance (Lehmann, 2013), one type of which is temporal deixis, whose meaning depends on the utterance's reference point, or origo. Temporal deixis has three categories, one of which is Vorzeitigkeit, events that precede the origo or have already occurred before the utterance. This study examines the forms and meanings of Vorzeitigkeit in five German-language news texts from the Deutsche Welle portal published in 2024 - 2025, using a descriptive qualitative approach. Data were collected through documentation techniques and analyzed through identification, determination of the Jetzt-Origo, classification, and contextual analysis. The results show that Vorzeitigkeit is the most dominant category found in the news texts, realized through three types. The Implicit type, marked by verb forms such as Präteritum (wurde aufgeteilt), Perfekt (hat versucht), and Plusquamperfekt (hatte blockiert), is the most frequent, proving the texts convey past-time information more often through the Tempus system than through explicit words. The Explicit type is marked by lexical markers such as in der Vergangenheit and kürzlich, while the Combination type, a novelty of this study, is marked by both markers occurring together, as in vergangenen Jahr accompanied by gekratzt hat. Most Vorzeitigkeit markers are referential, such as kürzlich, while some are anaphoric, such as in den Jahren zuvor, referring back to a previously mentioned event rather than the Jetzt-Origo. Keywords: Temporal Deixis, Vorzeitigkeit, Deutsche Welle, Jetzt-Origo References DAFTAR PUSTAKA Bühler, K. (1982). Sprachtheorie. Stuttgart: Gustav Fischer Verlag. Caple, H., & Bednarek, M. (2013). Delving into the Discourse: Approaches to News Values in Journalism Studies and Beyond. Reut…
creator: Maria Putri Christian
creator: Ajeng Dianing Kartika
rights: Copyright (c) 2026 GERBANG
date: 2026-07-13
publication date: 2026-07-13
volume: 15
number: 2
starting page: 125
ending page: 138
doi: 10.26740/gbj.v15n2.p125-138

BENTUK DEHUMANISASI TERHADAP PRAJURIT DI FILM "IM WESTEN NICHTS NEUES (2022)"
type: item
description: ABSTRACT Dehumanization is the act of treating individuals by stripping them of their human attributes. Dehumanization is divided into two forms: animalistic dehumanization and mechanistic dehumanization. This study aims to analyze the forms of dehumanization represented in the film Im Westen nichts Neues (2022). The film depicts the impact of war on humanity through the experiences of young German soldiers at the end of World War I. The study employs a qualitative descriptive approach using content analysis of scenes, dialogue, and visual elements that demonstrate dehumanization practices. Data were analyzed by identifying forms of dehumanization based on Nick Haslam’s (2006) theory, and data were collected through observation and documentation techniques. The results indicate that mechanistic dehumanization is more dominant than bestial dehumanization. The dominance of mechanistic dehumanization suggests that individuals in the study are more frequently treated as tools, objects, or machines whose existence is evaluated solely based on their function and utility. This study concludes that the film Im Westen nichts Neues (2022) portrays war as a system that systematically strips away human values and transforms people into instruments of political and military interests. Keywords: Dehumanization, Forms of dehumanization, Animalistic dehumanization, Mechanistic dehumanization. References: Al-Afifi, M. K., & Parnaningroem, R. R. (2025). KONFLIK BATIN TOKOH UTAMA DALAM FILM "IM WESTEN NICHTS NEUES" KARYA EDWARD BERGER: ANALISIS PSIKOLOGI SASTRA. IDENTITAT : Jurnal Bahasa Dan Sastra Jerman, 14(2), 12-21. Allberlinanda, S. (2022). Dehumanisasi Tokoh Sari dalam Novel Perempuan Bersampur Merah karya Intan Andaru. Jurnal Penelitian, Pendidikan, dan Pembelajaran, 17(9). Bastian, B., & Haslam, N. (2011). Experiencing dehumanization: Cognitive and emotional effects of everyday dehumanization. Basic and Applied Social Psychology, 33(4), 295-303. Burhan, N. (2009). Teori Pengka…
creator: Lily Permata Wiardani
creator: Ajeng Dianing Kartika
rights: Copyright (c) 2026 GERBANG
date: 2026-07-17
publication date: 2026-07-17
volume: 15
number: 2
starting page: 207
ending page: 217
doi: 10.26740/gbj.v15n2.p207-217

REPRESENTASI KETIMPANGAN SOSIAL DALAM SERIAL "MAXTON HALL" MELALUI PERSPEKTIF BOURDIEU
type: item
description: This study aims to identify and analyze forms of social inequality portrayed in the series Maxton Hall: Die Welt Zwischen Uns (2024), produced by Amazon Prime Video. The series was selected because it clearly depicts social inequality within an elite school environment through the relationship between Ruby Bell, a lower-middle-class student, and James Beaufort, a student from an influential upper-class family. This study employs a descriptive qualitative approach grounded in Pierre Bourdieu's theory of social practice, covering capital, habitus, field, and power and social reproduction. Data consisting of dialogues, scenes, characters' actions, and visual elements across six episodes were collected through documentation and analyzed using the interactive model of Miles, Huberman, and Saldaña (2014). The findings show social inequality emerges through four interrelated aspects. First, James Beaufort's ownership of economic, social, cultural, and symbolic capital far exceeds Ruby Bell's. Second, Ruby's limited capital shapes a habitus of caution and self-restraint reflecting her social background. Third, the Maxton Hall environment functions as a field favoring the dominant group, where social acceptance depends on family background rather than merit. Fourth, upper-class dominance is sustained through financial dependence and social evaluation embedded in the school, allowing inequality to persist. This study concludes that social inequality in the series results from capital interacting with habitus, field, and symbolic power, reproducing each character's social position as an ongoing structural process. Keywords: Social Inequality, Capital, Habitus, Field References: Aini, A., Amilia, D., Dzarna, D., & Susetyo, B. (2024). Exploring social critique in the film Ali & Ratu Ratu Queens through Pierre Bourdieu's sociological framework. JOLLS: Journal of Language and Literature Studies, 4(4), 851–855. Ardiansyah, F., & Kurniawati, W. (2025). Representasi kehidupan remaja …
creator: R VERONIKA GLORIA VALENZIA MAY
creator: Wisma Kurniawati
rights: Copyright (c) 2026 GERBANG
date: 2026-07-24
publication date: 2026-07-24
volume: 15
number: 2
starting page: 387
ending page: 399
doi: 10.26740/gbj.v15n2.p387-399

Kohesi Pronomina pada Teks Berita "Die Zeit" edisi Februari 2025
type: item
description: Research on cohesion is an interesting topic to study in German linguistics, due to the flexible nature of the German language and its strict and complex grammar. Cohesion in the German language functions uniquely; not only does the word order determine the relationships between elements in a German sentence, but there are also grammatical markers that bind them together. In this study, the researcher will conduct an analysis of pronominal reference cohesion in Die Zeit news texts. The aim of this research is to describe the forms and types of pronominal reference cohesion in Die Zeit news texts. The analysis method used in this study is Descriptive-Qualitative with a reading-note technique. This technique involves reading the locations of pronominal reference cohesion in the Die Zeit news texts. The researcher then interprets the pronominal reference cohesion markers. The source of data and the data itself are in the form of news articles taken from the online news site Die Zeit, February 2025 edition, titled Ist der Guardiola Fußball noch zeitgemäß. Based on the results of the analysis and discussion, it can be stated that the pronouns used as markers of grammatical cohesion related to reference cohesion can change pronouns (Er, sie, es, die, and man). These reference cohesion markers can be endophoric and exophoric. The endophoric pronouns in this study consist of Er, sie, es, and die. Meanwhile, the exophoric pronouns include man and es.
creator: Kevin Pioh
creator: Ajeng Dianing Kartika
rights: Copyright (c) 2026 IDENTITAET
date: 2026-06-01
publication date: 2026-06-01
volume: 15
number: 2
starting page: 20
ending page: 26
doi: 10.26740/ide.v15n2.p20-26

EMOSI KEBAHAGIAAN DALAM INSTAPUISI @MISSCLARALOUISE : ANALISIS SEMIOTIKA ROLAND BARTHES DAN TEORI EMOSI DASAR PAUL EKMAN
type: item
description: Instapoetry is a form of digital poetry published on Instagram that employs concise language, minimalist visual presentation, and symbolic expressions to convey emotional experiences. As a growing form of digital literature, Instapoetry reflects contemporary emotional and cultural issues through brief yet meaningful poetic texts. This study aims to describe the denotative and connotative meanings that represent the emotion of happiness in Instapoems published on the Instagram account @missclaralouise. The research employed a descriptive qualitative approach using content analysis. The data consisted of three German Instapoems selected through purposive sampling based on their symbolic content, the representation of happiness, and high audience engagement. The analysis integrated Roland Barthes' semiotic theory (1977) to examine denotative and connotative meanings through the Expression–Relation–Content (ERC) model and Paul Ekman's basic emotion theory (1992, 1999, 2004) to identify emotional representation through the stages of antecedent, automatic appraisal, and affective response. The findings indicate that, at the denotative level, the poems portray concrete experiences of rediscovering the self and affirming personal worth. At the connotative level, these meanings develop into symbolic representations of self-acceptance, self-worth, emotional recovery, and personal growth. The resulting connotative meanings function as antecedents that trigger positive automatic appraisal, leading to an affective response characterized by happiness. These findings confirm that integrating Roland Barthes' semiotics with Paul Ekman's emotion theory provides an effective analytical framework for examining the representation of emotions in digital literature while contributing to the broader study of contemporary digital poetry. Keywords: Barthes' Semiotics, Digital Literature, Basic Emotions. Instapoetry DAFTAR PUSTAKA @missclaralouise. (t.t.). Akun Instagram @Missclaralouise. htt…
creator: Suci Rahmanuya
creator: Lutfi Saksono
rights: Copyright (c) 2026 GERBANG
date: 2026-07-10
publication date: 2026-07-10
volume: 15
number: 2
starting page: 81
ending page: 91
doi: 10.26740/gbj.v15n2.p81-91

NILAI MORAL DALAM DONGENG "DIE BIENENKÖNIGIN","DIE WEIßE SCHLANGE" DAN "DER FROSCHKÖNIG"
type: item
description: This study aims to describe the moral values contained in three fairy tales by the Brothers Grimm, namely Die Bienenkönigin, Die Weiße Schlange, and Der Froschkönig. The research employed a qualitative descriptive approach using content analysis. The data source consisted of the original texts of the three fairy tales published in the Kinder und Hausmärchen collection (Reclam Edition, 2005). The analysis was based on Nurgiyantoro's (2013) taxonomy of moral values, which classifies moral values into four categories: the relationship between humans and themselves, humans and others, humans and the environment or other living beings, and humans and God. The findings revealed 38 instances of moral values, consisting of 13 data (34.2%) related to the relationship between humans and themselves, 11 data (28.9%) related to the relationship between humans and others, 10 data (26.3%) related to the relationship between humans and the environment and other living beings, and 4 data (10.5%) related to the relationship between humans and God. Die Bienenkönigin predominantly emphasizes compassion toward living creatures and the environment, Die Weiße Schlange highlights honesty, integrity, and responsibility, while Der Froschkönig focuses on commitment to keeping promises and moral responsibility. Overall, the three fairy tales consistently present moral values through the principles of reward and punishment, empathy, compassion, and integrity as the foundation of character building. The findings are expected to contribute to children's literature studies and character education. Keywords: moral values, children's literature, character education, content analysis. References: Bettelheim, B. 1976. The Uses of Enchantment: The Meaning and Importance of Fairy Tales. New York: Knopf. Bertens, K. 2011. Etika. Jakarta: Gramedia Pustaka Utama. Garrard, G. 2012. Ecocriticism (Edisi ke-2). London: Routledge. Grimm, J., & Grimm, W. 2005. Kinder und Hausmärchen. Stuttgart: Reclam. Haase, D.…
creator: Karina Dwi Ernanda
creator: Raden Roro Dyah Woroharsi Parnaningroem
rights: Copyright (c) 2026 GERBANG
date: 2026-07-28
publication date: 2026-07-28
volume: 15
number: 2
starting page: 527
ending page: 540
doi: 10.26740/gbj.v15n2.p527-540

KONSTRUKSI MAKNA PASCAPERANG DALAM CERPEN WOLFGANG BORCHERT
type: item
description: This study examines the representation of post-war life in five short stories by Wolfgang Borchert, namely Das Brot, Die Küchenuhr, Nachts schlafen die Ratten doch, Die drei dunklen Könige, and An diesem Dienstag. The research employs Stuart Hall’s theory of representation, which views representation as a process of constructing meaning through language, signs, and cultural codes rather than as a direct reflection of reality. Using a descriptive qualitative approach and literary text analysis, the data consist of narrative excerpts, dialogues, symbols, settings, and characters’ actions that function as signifying practices. The analysis is conducted by identifying the relationship between sign, concept, and meaning in each datum. The findings reveal that post-war life is represented through six dominant patterns of meaning: food scarcity, psychological trauma, loss, social destruction, moral shifts, and solidarity and hope. These categories are analytical classifications developed by the researcher based on recurring representational patterns and are not concepts proposed by Stuart Hall. The study also demonstrates that ordinary objects, domestic spaces, and everyday actions are transformed into cultural signs whose meanings are constructed through the historical and socio-cultural context of post-war Germany. Consequently, Borchert’s short stories represent post-war life not merely by depicting historical events but by constructing cultural meanings concerning suffering, survival, humanity, and collective memory through interconnected signifying practices. These findings reinforce Hall’s argument that meaning is culturally produced through representation rather than inherently embedded in objects or events. Keywords: representation, post-war life, Trümmerliteratur Abrams, M. H., & Harpham, G. G. (2005). A glossary of literary terms (9th ed.). Cengage Learning. Barker, C., & Jane, E. A. (2016). Cultural studies: Theory and practice (5th ed.). Sage. Beutin, W., Ehler…
creator: Shabrina Nurfitria
creator: Wisma Kurniawati
rights: Copyright (c) 2026 GERBANG
date: 2026-07-19
publication date: 2026-07-19
volume: 15
number: 2
starting page: 255
ending page: 270
doi: 10.26740/gbj.v15n2.p255-270

POLA STRUKTUR DAN ASPEK MAKNA KOLOKASI BAHASA JERMAN DALAM "KURSBUCH NETZWERK NEU A1"
type: item
description: ABSTRACT Collocations are conventional word combinations commonly used by native speakers and constitute an essential aspect of German language learning. However, collocations in Kursbuch Netzwerk Neu A1 are presented implicitly, causing learners to perceive them as separate lexical items rather than fixed combinations. This study aims to describe the structural patterns and analyze the semantic aspects of German collocations found in Kursbuch Netzwerk Neu A1. This research employed a qualitative approach with descriptive statistical methods. The data consisted of linguistic units containing German collocations collected through documentation and note-taking techniques. The data were classified according to collocational structural patterns and analyzed using Quasthoff's (2011) theory of collocation structure and Hausmann's (2004) theory of collocational semantics. The findings revealed a total of 108 collocations distributed across various learning topics. The most dominant structural pattern was Substantiv specifically Substantiv (als Objekt), followed by Adverb and Adjektiv. In terms of semantic aspects, most collocations exhibited a literal degree of transparency, while the remaining collocations were classified as semi-idiomatic (teilidiomatisch). No metaphorical collocations were identified. The findings further indicate that the relationship between the base and the collocator is determined not only by lexical restrictions but also by conventional usage in German. This study is expected to contribute to the development of German collocation studies and serve as a reference for vocabulary instruction and future research on German collocations using different linguistic data sources. Keywords: collocation, structural patterns, semantic aspects, German language, Kursbuch Netzwerk Neu A1. References Abubakar, R. (2021). Metodologi Penelitian. SUKA-Press UIN Sunan Kalijaga. Asadova, B. (2024). The Role of Collocations in English Language Teaching. Acta Globalis Hu…
creator: Nurul Syfa Fauziah
creator: Agus Ridwan
rights: Copyright (c) 2026 GERBANG
date: 2026-07-16
publication date: 2026-07-16
volume: 15
number: 2
starting page: 195
ending page: 206
doi: 10.26740/gbj.v15n2.p195-206

PERUBAHAN KONDISI PASIF KE KONDISI AKTIF TOKOH UTAMA PEREMPUAN DALAM DONGENG "DER RÄUBERBRÄUTIGAM" KARYA BRÜDER GRIMM
type: item
description: This article examines the forms of patriarchal oppression and the agency of the female protagonist in the Grimm fairy tale Der Räuberbräutigam. Unlike previous studies that emphasize this tale's representation of gendered violence and survival, this study focuses on how the protagonist's agency unfolds gradually across five existential stages, moving from a passive condition to an active one. Data were collected through observation and note-taking techniques applied to the German source text, followed by data coding. Forms of oppression were analyzed using Kate Millett's (1970) view of patriarchy as a system of power, while agency was analyzed using Simone de Beauvoir's (1956) existentialist feminism, encompassing the condition of immanence, three stages of agency (awareness, strategy, action), and the condition of transcendence. The results show five instances of patriarchal oppression, consisting of body objectification, physical oppression, structural oppression, domestic marginalization, and psychological oppression, imposed on the protagonist by two male authority figures, her father and her fiancé. Furthermore, ten instances of agency were identified, showing that the protagonist's awareness develops progressively from intuitive fear into a fully conscious understanding of danger, followed by four collaborative strategies, two concrete actions, and culminating in transcendence when she publicly exposes her fiancé's crime at his own wedding feast. These findings demonstrate that although the protagonist is bound within an oppressive patriarchal structure, she is able to transform herself gradually into an active subject who reclaims authority over her own fate through awareness, cunning, and courage rather than through direct physical confrontation. Keywords: Grimm's fairy tale, Der Räuberbräutigam, patriarchal oppression, female agency, existentialist feminism Daftar Pustaka Abdussamad, Z. 2021. Metode Penelitian Kualitatif (P. Rapanna, Ed.). CV. Syakir Media …
creator: Septia Sarma Nur'aini
creator: Raden Roro Dyah Woroharsi Parnaningroem
rights: Copyright (c) 2026 GERBANG
date: 2026-07-21
publication date: 2026-07-21
volume: 15
number: 2
starting page: 271
ending page: 284
doi: 10.26740/gbj.v15n2.p271-284

KOHESI SUBSTITUSI DALAM TEKS BERITA BERBAHASA JERMAN
type: item
description: ABSTRACT Cohesion is a fundamental aspect of discourse because it links linguistic elements into a unified and comprehensible text. In journalistic discourse, cohesive devices are particularly important since news reports must present information concisely, objectively, and coherently while maintaining continuity of meaning. One grammatical cohesive device that contributes to textual cohesion is substitution. Through substitution, writers avoid unnecessary repetition by replacing previously mentioned linguistic elements with semantically related forms. This study aims to identify the forms of substitution used as grammatical cohesive devices in German-language news texts published by Deutsche Welle in 2024 and to explain their functions in establishing discourse cohesion. The study employs a qualitative descriptive approach using textual discourse analysis. The data consist of linguistic units containing substitution markers found in three Deutsche Welle news articles discussing the conflict in Sudan and the resulting humanitarian crisis. Data were analyzed based on Halliday and Hasan’s (1976) theory of grammatical cohesion through identifying substitution forms, classifying their types, and interpreting their cohesive functions within the discourse context. The findings reveal that nominal substitution is the most frequently used form. The use of substitution not only reduces lexical repetition but also maintains topic continuity, strengthens relationships between sentences, improves the efficiency of information delivery, and supports the concise and communicative style characteristic of journalistic writing. Furthermore, substitution reflects an effective information-presentation strategy that enables journalists to communicate complex issues clearly and systematically without reducing the accuracy or coherence of the intended meaning. Keywords: grammatical cohesion, substitution, news text, Halliday and Hasan. DAFTAR PUSTAKA Brinker, K. (2010). Linguistische Tex…
creator: dini yuliasri
creator: Ajeng Dianing Kartika
rights: Copyright (c) 2026 GERBANG
date: 2026-07-21
publication date: 2026-07-21
volume: 15
number: 2
starting page: 308
ending page: 322
doi: 10.26740/gbj.v15n2.p308-322

TEMPORAL DEIXIS IN HANS CHRISTIAN ANDERSEN'S COLLECTION OF FAIRY TALES
type: item
description: Deixis is an important aspect in pragmatics that plays a role in understanding meaning based on the context of utterance. In narrative texts such as fairy tales, the use of deixis helps readers understand temporal relations within the storyline. This study aims to analyze temporal deixis in the fairy tales Däumelieschen, Der Schneemann, and Das alte Haus by HansChristian Andersen. This research employs a descriptive qualitative approach, with data in the form of words and phrases containing elements of temporal deixis, collected through documentation techniques using reading and note-taking methods. The data are analyzed by identifying forms of temporal deixis based on George Yule’s theory (2014) and interpreting their meanings by considering Karl Christian Lehmann’s concept of origo as the temporal reference point in utterances. The results show that temporal deixis in the three fairy tales appears in various forms, such as jetzt, nun, gestern, morgen, am Morgen, am Abend, später, bald, dann, and damals, which can be classified into proximal and distal temporal deixis. Overall, the use of temporal deixis in these fairy tales indicates that temporal meaning is relative to the context of utterance and highly dependent on the position of the origo, both in dialogue and narration.
creator: Maria Elizabeth
creator: Wisma Kurniawati
rights: Copyright (c) 2026 IDENTITAET
date: 2026-05-24
publication date: 2026-05-24
volume: 15
number: 2
starting page: 1
ending page: 9
doi: 10.26740/ide.v15n2.p1-9

PERAN HUMOR SEBAGAI RESISTENSI DALAM FILM DIE GÄNSEPRINZESSIN
type: item
description: ABSTRACT This study aims to describe the role of humor and the forms of carnivalesque humor that appear in the fil “Die Gänseprinzessin” and to analyze how humor function as a form of resitance against the hierarchy of power in the film. This study employs a qualititave approach using narrative analysis. Data were collected through repeated film viewings, dialogue transcripts, and notes on scenes containing elemnts of carnivalesque humor. Data analysis employs Sugiyono’s (2017) model, which includes data reduction, data presentation, and drawing conclusions. The theotrical framework consists of Mikhail Bakhtin’s theory of the carnivalesque and James C. Scott’s theory of resistence, which underpin the analysis of the research data, specially scenes and dialogues containing humorous elements in the film. There are 7 data points in this Study with three carnivalesque indicators, as follow : 1.) Ambivalent Laughter : There are 3 data points that have been analyzed and contain this element; 2.) Grotesque Forms : While there are no literal examples in this study, three of the analyzed data points contain this element; 3.) Suspession of Hierarchy : Regarding this carnavalesque indicator, this study analyzed one data point that contained this element. The results of the analysis of the three carnivalesque indicators and the mechanisms of resitensce theory underlying each presented data point indicate that humor in fairy-tale films does not merely serve as entertainment but rather plays a role in the characters’strategies of symbolic resistence. Keywords: Humor, Resistence, Carnivalesque, Die Gänseprinzessin. References Abdussamad, Z. (2021). Metode penelitian kualitatif. Syakir Media Press. Bakhtin, M. (1984). Rabelais and his world (H. Iswolsky, Penerj.). Indiana University Press. Biddle, B. J. (1986). Recent developments in role theory. Annual Review of Sociology, 12(1), 67–92. https://doi.org/10.1146/annurev.so.12.080186.000435 Billig, M. (2005). Laughter and ridicule: T…
creator: Salza Novi
creator: Wisma Kurniawati
rights: Copyright (c) 2026 GERBANG
date: 2026-07-26
publication date: 2026-07-26
volume: 15
number: 2
starting page: 422
ending page: 435
doi: 10.26740/gbj.v15n2.p422-435

KAJIAN SEMIOTIKA CHARLES SANDERS PEIRCE TERHADAP KATA "SONNE" PADA INSTAPUISI @allesorten
type: item
description: ABSTRACT This study aims to uncover the meaning of the word "Sonne" in the Instagram poems posted by @allesorten using Charles Sanders Peirce’s theory of semiotics. This study employs a qualitative approach using descriptive-analytical methods. The data sources for this study are a collection of Instagram poems by Lena Nellissen posted on the @allesorten Instagram account. The data consist of six Instagram poetry posts containing the word "Sonne," which were analyzed through the triadic relationship (representamen, object, and interpretant) and the typology of signs (icon, index, and symbol). To get a clear understanding, this research looks at how the word is used in different situations within the poems. The results indicate that the word "Sonne" carries not only a basic, denotative meaning as the sun. It also evolves into a symbol of hope, happiness, warmth, and tranquility for the readers. The analysis shows that the sun often represents a positive change after a difficult time. The process of making meaning, or semiosis, is very dynamic. It is influenced by the linguistic and visual contexts in the posts, as well as the personal background and experience of the reader. Furthermore, the visual format of Instagram helps to make the message stronger. It was concluded that simple words in Instagram poetry are highly capable of constructing complex meanings. This shows how modern digital literature on social media platforms can connect deeply with human emotions and everyday struggles. Keywords : Semiotics, Instapoetry, Meaning, Digital Literature REFERENCES Abdussamad, Z. (2021). Metode Penelitian Kualitatif (P. Rapanna (ed.); 1 ed.). CV. Syakir Media Press. Aditya, A. R., Haniah., Kasim, A., & Hamzah, N. (2025). Dekonstruksi Makna Feminisme Postmodern pada Puisi رحةل جبلية، رحةل صعبة Karya Fadwa Tuqan. 6(1), 589–605. https://doi.org/10.37680/aphorisme.v6i1.77 Ambirini, A. S., & Umaya, N. M. (2012). SEMIOTIKA TEORI DAN APLIKASI PADA KARYA SASTRA. Semarang: IKIP PGR…
creator: Arshiva
creator: Lutfi Saksono
rights: Copyright (c) 2026 GERBANG
date: 2026-07-11
publication date: 2026-07-11
volume: 15
number: 2
starting page: 113
ending page: 124
doi: 10.26740/gbj.v15n2.p113-124

PARALELISME LEKSIKAL DALAM KUMPULAN INSTA-PUISI @POESIE.REVEUR
type: item
description: This study aims to identify and analyze lexical parallelism in five poems on the theme of a mother's love, namely "Mama, wer hält dich?", "Es ist deine Mama", "Mama irgendwann", "Liebesbrief aus deinem Bauch", and "Ich werde immer deine Mama sein", which belong to a poetry collection entitled "Mama." These five poems were published through the Instagram account @poesie.reveur, an account that regularly shares poems on family themes and personal life in German, so that the data in this study reflect the style of contemporary poetry that has developed on social media. Parallelism is understood as a form of foregrounding according to Leech (1969), namely the prominence of a linguistic element through the regular repetition of a pattern, reinforced by Hall (2005) view that such repetition directs readers' attention while also strengthening their memory of the ideas the poet emphasizes. The analysis was conducted using a qualitative descriptive method, drawing on the six subcategories of lexical parallelism formulated by Macabenta et al., (2025), namely epanalepsis, anaphora, epistrophe, anadiplosis, chiasmus, and epizeuxis. The results show that all six subcategories appear in this poetry collection, with anaphora as the most dominant form and distributed throughout the poems, followed by epistrophe and epanalepsis, which appear as refrains or framing devices in several poems, while anadiplosis, chiasmus, and epizeuxis are found only in limited numbers. These findings indicate that the poet tends to make use of parallelism that builds meaning gradually and repeatedly to reinforce the collection's central theme, namely a mother's love that remains consistent and unaffected by time or by the changes experienced by the child. This study is expected to enrich stylistic studies of digital poetry circulating on social media, particularly within the German-language context.. Keywords: Lexical parallelism, foregrounding, stylistics, insta-poetry References: Ahmad, S., & Rahman,…
creator: Nur Afika Rahmadani
creator: Lutfi Saksono
rights: Copyright (c) 2026 GERBANG
date: 2026-07-27
publication date: 2026-07-27
volume: 15
number: 2
starting page: 448
ending page: 459
doi: 10.26740/gbj.v15n2.p448-459

MORAL KARAKTER POLLY MELALUI KARAKTERISASI TIDAK LANGSUNG DALAM FILM "DIE GÄNSEPRINZESSIN" KARYA FRANK STOYE
type: item
description: ABSTRACT This study aims to describe Polly's moral character in Frank Stoye's film Die Gänseprinzessin through the method of indirect characterization (showing) proposed by M.H. Abrams. This research employs a qualitative descriptive approach, with the film Die Gänseprinzessin as the primary data source, while Polly's dialogues and actions serve as the research data. The data were collected through repeated viewing, observation, and note-taking, and were analyzed using the interactive model of Miles, Huberman, and Saldana, comprising data condensation, data display, and conclusion drawing. Abrams's theory of characterization served as the primary framework to identify Polly's character through showing, while Franz Magnis-Suseno's moral theory served as a supporting framework to interpret her moral character. The findings reveal that Polly's moral character is constructed indirectly through her dialogues and actions, reflecting three aspects: morality, moral autonomy, and moral courage. Morality is shown through Polly's concern for others and her willingness to take responsibility for her actions. Moral autonomy is reflected in her ability to make decisions based on her own conscience, even when they contradict the King's authority. Moral courage appears in her willingness to take responsibility, protect others from punishment, and speak the truth despite personal risk. Therefore, Polly's moral character is not presented explicitly by the narrator, but is constructed through characterization interpreted from her dialogues and actions, demonstrating the close relationship between characterization and moral formation in narrative film. Keywords: characterization, moral character, Polly, M.H. Abrams, Franz Magnis-Suseno REFERENCES Abrams, M. H. (1999). A Glossary of Literary Terms (7th ed.). Heinle & Heinle. Desrianto, R., Yusra, D., & Nurfadilah. (2026). Nilai Moral Tokoh Utama dalam Film Ali Topan Karya Sidharta Tata: Kajian Sosiologi Sastra. Jurnal Pendidikan Bahasa,…
creator: Avisenna Bima Dien Azzahra Azzahra
creator: Wisma Kurniawati
rights: Copyright (c) 2026 GERBANG
date: 2026-07-27
publication date: 2026-07-27
volume: 15
number: 2
starting page: 436
ending page: 447
doi: 10.26740/gbj.v15n2.p436-447

REPRESENTASI AKTOR DALAM WACANA KONFLIK ISRAEL-GAZA PADA ARTIKEL BERITA "DEUTSCHE WELLE": "ISRAEL BEREITET VERSCHÄRFUNG DER GAZA-ANGRIFFE VOR" ANALISIS WACANA KRITIS
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description: ABSTRACT This study aims to examine the representation of actors in Deutsche Welle's news article ‘Israel bereitet Verschärfung der Gaza-Angriffe vor’ by applying Teun A. van Dijk's Critical Discourse Analysis (CDA) framework. This study applied a qualitative approach using a single news article published on May 4, 2025, as the primary data source. Data were collected through documentation and analyzed at three levels: macrostructure, microstructure, and social cognition, focusing on thematic organization, schematic structure, lexical choices, syntactic patterns, rhetorical strategies, local coherence, and the relationship between discourse and its socio-political context. The findings reveal that actor representation is constructed through discursive strategies that reflect particular ideological perspectives rather than neutral reporting. At the macrostructural level, the article frames Israel's military escalation as a legitimate response to security threats, while at the microstructural level Israel is predominantly represented through institutional and technical language that reinforces its legitimacy, whereas Hamas is consistently portrayed using negatively charged lexical expressions emphasizing violence and barbarity. Furthermore, humanitarian representation is asymmetrical, as Israeli civilian suffering is described in greater detail and evokes empathy, whereas Palestinian civilian casualties are more frequently presented through passive constructions, omission of agency, and less personalized descriptions. From the perspective of social cognition, these discursive patterns are closely associated with Germany's Staatsräson doctrine, which functions as a shared ideological framework influencing journalistic practices. Overall, the study demonstrates that actor representation emerges from the interaction of textual structures, social cognition, and socio-political context, thereby reproducing ideological positions and power relations within international medi…
creator: Shafira Pramesti
creator: Ajeng Dianing Kartika
rights: Copyright (c) 2026 GERBANG
date: 2026-07-13
publication date: 2026-07-13
volume: 15
number: 2
starting page: 139
ending page: 154
doi: 10.26740/gbj.v15n2.p139-154

DINAMIKA POSISI PEREMPUAN PADA SERIAL "DIE KAISERIN"
type: item
description: ABSTRACT This study examines the representation of women's positions in the Netflix series Die Kaiserin using Sara Mills' Critical Discourse Analysis (CDA). The research aims to describe how women are positioned as subjects and objects, how power relations are constructed, and how the audience is directed to interpret the female protagonist within the discourse of the series. This study employs a qualitative descriptive approach. The primary data consist of dialogues, narratives, and scenes from the first and second seasons of Die Kaiserin, while secondary data are obtained from relevant literature on Sara Mills' Critical Discourse Analysis, gender studies, and film studies. Data were collected through observation and note-taking techniques and analyzed using the concepts of subject position, object position, power relations, and audience position. The findings reveal that Elisabeth's position is constructed dynamically throughout the narrative. Initially, she is predominantly represented as an object constrained by the patriarchal monarchy through various forms of control over her body, behavior, and social role. As the story develops, Elisabeth gradually establishes her subjectivity by expressing her opinions, questioning royal conventions, and negotiating existing power structures. Furthermore, the series encourages audiences to critically reflect on gender inequality within the monarchical system. This study demonstrates that women's representation is continuously constructed through discourse and highlights the relevance of Sara Mills' Critical Discourse Analysis in examining gender representation in audiovisual media. Keywords: women's representation; Sara Mills; Critical Discourse Analysis; gender; power relations. References Beauvoir, S. de. (2011). The second sex (C. Borde & S. Malovany-Chevallier, Trans.). Vintage Books. (Karya asli diterbitkan 1949) Chatman, S. (1978). Story and discourse: Narrative structure in fiction and film. Cornell University Press.…
creator: Salsabila Syafiqoh Aurellia
creator: Ajeng Dianing Kartika
rights: Copyright (c) 2026 GERBANG
date: 2026-07-28
publication date: 2026-07-28
volume: 15
number: 2
starting page: 500
ending page: 512
doi: 10.26740/gbj.v15n2.p500-512

SINISME DALAM KUMPULAN INSTAPUISI @MELISSA.EBELING
type: item
description: ABSTRACT This study aims to examine the use of cynical language style in Melissa's instapoetry (@melissa.ebeling) as a medium for expressing emotional experiences and conveying criticism of life realities in the digital era. The development of digital literature, particularly instapoetry on Instagram, demonstrates that social media functions not only as a platform for publishing literary works but also as a medium of expression that combines language, emotion, and social reflection in a concise form. Therefore, this study focuses on how cynicism is employed to construct meaning and strengthen the messages conveyed by the poet. This research applies a stylistic approach using a qualitative descriptive method. The study employs Gorys Keraf's theory of figurative language and Ivo Braak's theory of literary functions. Keraf's theory is used to identify the forms of cynicism, while Braak's theory is applied to analyze the rhetorical, aesthetic, and emotional functions found in the texts. The data consist of instapoetry posts published on Melissa's Instagram account (@melissa.ebeling), selected based on the presence of cynical language. Data were collected through the observation and note taking method and then analyzed descriptively using the selected theoretical framework. The findings reveal that cynicism is consistently used to express distrust, disappointment, and criticism of life realities. In addition to creating aesthetic value through diction and language structure, cynicism also functions as a rhetorical strategy to reinforce emotional messages and social criticism. These findings indicate that instapoetry serves as an effective form of literary communication in the digital space. Keywords: Cynicism, Instapoetry, Stylistics, Digital Literature. DAFTAR PUSTAKA Abrams, M. H. (1999). A Glossary of Literary Terms (7th ed.). Boston: Heinle & Heinle. Azka, M. A. K., Purwanto, B. E., & Triana, L. (2022). Gaya Bahasa Ironi dan Sarkasme dalam Kolom Komentar Akun Instagr…
creator: Suha Aisyah Sayekti
creator: Lutfi Saksono
rights: Copyright (c) 2026 GERBANG
date: 2026-07-10
publication date: 2026-07-10
volume: 15
number: 2
starting page: 104
ending page: 113
doi: 10.26740/gbj.v15n2.p104-113

KONFLIK BATIN TOKOH ISI DALAM FILM "ISI UND OSSI" KARYA OLIVER KIENLE
type: item
description: ABSTRACT Inner conflict is a psychological contradiction within an individual; nearly everyone experiences it, yet not everyone can resolve it. Studying it in literary works offers deep insight into human psychological dynamics—including in film, which portrays the clash of interests, desires, and social pressures. This study aims to analyze the forms and causal factors of inner conflict experienced by Isi in the film Isi & Ossi by Oliver Kienle. The research employs a descriptive qualitative approach within a literary psychology framework, grounded in Kurt Lewin’s field theory, which classifies inner conflict into approach-approach, avoidance-avoidance, and approach-avoidance. Data consist of Isi's dialogue and monologue excerpts gathered through observation and note-taking, then classified based on conflict indicators and analyzed to reveal their causes. A screen-capture technique was applied to key scenes to provide visual evidence of her psychological condition. The findings reveal six data points: three concerning the form of inner conflict, all identified as approach-avoidance, and three concerning its causal factors, predominantly induced force and forces corresponding to personal needs. These results show that Isi’s inner conflict is largely triggered by the clash between socio-economic environmental pressure and her need for self-actualization. This study affirms the relevance of Kurt Lewin’s field theory for examining inner conflict in film, while contributing to literary psychology studies on German-language audiovisual works. Keywords: Inner Conflict, Kurt Lewin, Field Theory, Literary Psychology DAFTAR PUSTAKA Al,M.K., & Parnaningroem, R. R. D. W. (2025). Konflik Batin Tokoh Utama dalam Film “Im Westen Nicht Neues” Karya Edward Berger: Analisis Psikologi Sastra. IDENTITAET, 14(2), 12-21. Alwisol. (2019). Psikologi Kepribadian. Malang: Universitas Muhammadiyah Malang Endraswara, S. (2014). Metodologi penelitian posmodernisme sastra. Media Pressindo. Hasl…
creator: Sinta Wulan Fitriansyah
creator: Ajeng Dianing Kartika
rights: Copyright (c) 2026 GERBANG
date: 2026-07-22
publication date: 2026-07-22
volume: 15
number: 2
starting page: 337
ending page: 354
doi: 10.26740/gbj.v15n2.p337-354