https://ejournal.unesa.ac.id/index.php/solah/issue/feed Solah 2024-07-26T04:33:23+00:00 Arif Hidajad arifhidajad@unesa.ac.id Open Journal Systems <p><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">Jurnal Online Program Studi S-1 Pendidikan Seni Drama, Tari Dan Musik - Fakultas Bahasa dan Seni UNESA</span></span></p> https://ejournal.unesa.ac.id/index.php/solah/article/view/62339 Visualization Wrath Mahendradatta Through Type Work Dance Dramatic 2024-07-10T09:28:18+00:00 Mochamad Fauzi Wiharto mochamad.17020134074@mhs.unesa.ac.id djajuk sasanadjati . jajuksasanadjati@unesa.ac.id <p>The phenomenon highlighted in this dance work is that <em>the Queen whose title is Sri Gunapriya Dharmapatni, or better known as Mahendradatta is the main character in this dance work, who is the daughter of </em>King Sri Makutawangsawardhana from the Isyana Wangsa (Medang Kingdom) dynasty of East Java. Queen Mahendradatta had a partner named Queen Maruhani Sri Dharmadayana Warmadewa or more famously, Raja Udayana from Warmadewa-Bali. This became an attraction for choreographers to visualize it as a dance work. The focus in <em>Gunapriya Dharmapatni's dance work </em>is divided into two elements, namely the form element which contains the concept of dramatic dance and the content element, namely Dharmapatni's wrath. The choreographer visualizes ideas using movement styles and develops physical exercise techniques through dramatic types based on the construction method 1 by Jacquiline Smith. The mode of presentation in this dance work is symbolic and representative. The dramatic design uses a single cone based on La Meri's theory. Dance accompaniment was created using <em>music editor software </em>. The aim of writing this article is to describe the form of presentation of <em>Satya Biyung's dance work </em>including title, theme, synopsis, style, technique and supporting elements, dance accompaniment, stage techniques, make-up and clothing. as well as the process of creating dance works based on Jacquiline Smith's theory. In order to create two elements of content and form in dance works, the choreographer discovered the development of a new creative process to create dramatic forms inspired by the environment, as a learning source for young people to be creative and create art.</p> 2024-07-10T09:24:02+00:00 ##submission.copyrightStatement## https://ejournal.unesa.ac.id/index.php/solah/article/view/62275 DANCE WORK "SHADOW" AS AN EXPRESSION OF SELF-DISCOVERY IN DRAMATIC DANCE FORM 2024-07-26T04:33:23+00:00 Muhammad Trio Geraldo triogeraldo1@gmail.com Dra. Jajuk Dwi Sasanadjati, M.Hum jajuksasanadjati@unesa.ac.id <p>Shadow Dance is a dance work that departs from the phenomenon of multi-talent. There are two focuses in Shadow dance work, namely the focus of content about a search for human identity from the many talents he has and the focus of the form presented in dramatic form. The writing of the Shadow dance work applies the Construction Method I in Jacqueline Smith's Theory. The purpose of writing this dance work is to reveal the search for human identity from the many multi-talents it has and describe the dramatic dance form. The result of a content disclosure in the Shadow dance work analogizes the talent as a shadow expressed through a light property and simple fashion makeup, a proscenium stage complete with lighting that is used to build a change of atmosphere in each scene. Musical accompaniment becomes a supporter in Shadow dance work then forms a double cone dramatic design. Shadow dance work has the theme of self-discovery. The contemporary dance form with a dramatic dance type becomes the author's medium to convey messages to the audience by bringing up a symbol and a dramatization in each scene through expressions, movements, vocals, and the interaction of dancers with dancers and dancers with the audience.</p> 2024-07-26T04:33:23+00:00 ##submission.copyrightStatement##