EMOTIONAL AND PHYSICAL DYNAMICS IN MONOLOGUE PERFORMANCES

A STUDY OF THE ACTING PROCESS IN THE MONOLOGUE “PIDATO” AT THE 2023 AP3SENI FESTIVAL

Abstract

This study examines the dynamics of emotions and the body in the acting process of Putu Fajar Arcana's monologue speech, which was performed at the AP2SENI 2023 Festival at Padang State University. The focus of the study is on the actor's strategies in managing body language and emotions to build dramatic intensity in a monologue that is laden with socio-political content. This study uses a qualitative approach with a case study method, through direct observation, performance documentation, rehearsal notes, and in-depth interviews with actors and mentors. The results of the analysis show that the success of the actors' performance is determined by their skills in internalizing the character's inner conflict, mastery of vocal and gestural techniques, and imaginative space management. Stanislavski techniques, such as emotional memory, tempo-rhythm, and inner action, are used to build stable emotional continuity during the performance. The creation of a symbolic relationship with the audience is an important aspect in maintaining the energy of a monologue with minimal direct interaction. These findings emphasize the importance of acting as a creative process that holistically integrates the body, emotions, and social awareness. This research contributes to the development of monologue acting practices and provides pedagogical references for performing arts education, particularly in the processing of scripts with high dramatic intensity and reflective social criticism.