Kesantunan Berbahasa dalam Film Agak Laen Karya Muhadkly Acho

Abstract

Abstrak

Penelitian ini bertujuan menganalisis pematuhan dan pelanggaran kesantunan berbahasa dalm film Agak Laen. Penelitian ini adalah penelitian deskriptif dengan pendekatan kualitatif. Data penelitian diperoleh melalui dialog antar tokoh film Agak Laen karya Muhadkly Acho. Data yang dipakai ialah data tuturan yang diidentifikasi mematuhi dan melanggar prinsip kesantunan berbahasa. Teknik pengumpulan data yang digunakan meliputi metode simak dengan teknik dasar sadap, dan teknik lanjutan yakni bebas libat cakap dan teknik catat. Langkah-langkah penganalisisan data yaitu (1) memilih dan memilah data, (2) mengklasifikasi, (3) mengidentifikasi, (4) memberikan kode data (5) menganalisis, dan (6) membuat simpulan. Hasil yang diperoleh menunjukkan bahwa terdapat pematuhan dan pelanggaran prinsip kesantunan berbahasa menurut teori Leech yaitu maksim kebijaksanaan, kedermawanan, penghargaan, kerendahan hati, kesimpatian, dan kemufakatan.

Kata kunci: kesantunan berbahasa, maksim, film.

Abstract

This study aims to analyze compliance with and violations of the principles of politeness in the film Agak Laen. This is a descriptive study using a qualitative approach. Research data was obtained from dialogues between characters in the film Agak Laen by Muhadkly Acho. The data used consists of utterances identified as complying with or violating the principles of politeness. The data collection techniques used included observation with basic recording methods, as well as advanced techniques such as free conversation and note-taking. The data analysis steps were: (1) selecting and sorting data, (2) classifying, (3) identifying, (4) coding data, (5) analyzing, and (6) drawing conclusions. The results indicate that there are instances of compliance with and violations of the principles of linguistic politeness according to Leech’s theory, namely the maxims of prudence, generosity, respect, modesty, sympathy, and consensus.

Keywords: linguistic politeness, maxims, film.