This is an outdated version published on 2025-04-25. Read the most recent version.

CHOREOGRAPHIC FORM OF THE “KEMBANG PASESER” DANCE BY EDI POTTRE KONENG, SUMENEP DISTRICT

Authors

  • Nabilah Zinta Amaliya Faiqoh Zainollah Universitas Negeri Surabaya

Keywords:

Bentuk, Koreografer, Tari Kembang Paseser.

Abstract

Kembang Paseser is a dance work by Edi Susanto that carries the theme of nature created in 2009. Kembang Paseser means the agility and alertness of coastal girls, which is identical with beauty while Pasisiran is the life of the people in Paseseran (on the seashore). This work was inspired by a coastal girl who was waiting for her father to come home from sailing happily, while her mother was waiting for her daughter to bring the results of sailing fish that were contained with kerre. The objectives of the research studied were: (1) Stages of Kembang Paseser Dance Choreography at the Pottre Koneng Art Studio, (2) Form of Kembang Paseser Dance. The research method used is descriptive qualitative. The results of this study indicate that the Kembang Paseser Dance is a Traditional Dance from the Pottre Koneng Art Studio, this dance takes the coastal concept where the movements use existing Dance movements that are further developed, namely from the Madura Paraben Dance. The choreography of the Kembang Paseser Dance includes several stages, namely Exploration, Improvisation, and Composition. The Kembang Paseser Dance has 20 types of movements and 11 floor patterns that can change according to the performance. Beautiful make-up using a bun decorated with 3-colored flowers (yellow, red, and green) and a combination of yellow, red, green eye shed colors that look fresh. The accompaniment to this dance is the Madura-an song in the form of a red "kerre" which is usually used for containers for sailing results. The conclusion in this study is that the Kembang Paseser Dance is a Traditional Dance from the Pottre Koneng Art Studio, this dance takes the coastal concept where the movements use the creativity of the choreographer and also the existing Dance movements are developed again, namely the Madura Paraben Dance.

 

Downloads

Download data is not yet available.

References

Astini, Siluh Made dan Usrek Tani Utina. 2007. “Tari Pendhet Sebagai Tari Bali-Balihan (Kajian Koreografi)”. Harmonia. Nomor 2. Hlm. 6. Semarang: Universitas Negeri Semarang.

Creswell. John. W. 2013. Penelitian Kualitatif & Riset; Memilih di Antara Lima Pendekatan. Yogyakarta: Pustaka Pelajar“57830-Article Text-170349-2-10-20220731 (2).pdf.” t.t.

Ananda, Dina Wika, dan Yahyar Erawati. t.t. “Bentuk Penyajian Tari Pucuk Rebung Terukir Di Sanggar Mahligai, Kecamatan Siak Kabupaten Siak Provinsi Riau” 1 (1).

Djelantik. 1990. PENGANTAR DASAR ILMU ESTETIKA JILID 1 ESTETIKA INSTRUMENTAL. Denpasar.

Hadi, Y. Sumandiyo. t.t. Koreografi: bentuk, teknik, isi. Cipta Media bekerja sama dengan Jurusan Tari, Fakultas Seni Pertunjukan, ISI Yogyakarta, 2012.

Halima, Nur, dan Eko Wahyuni Rahayu. t.t. “ESTETIKA TARI CODHI’ SUMEKAR KARYA TAUFIKURRAHMAN KABUPATEN SUMENEP.”

Handayaningrum, Warih, dan Nabilla Nur Kasih Kusuma Putri. 2022. “Estetika Bentuk Tari Suramadu Karya Diaztiarni.” JURNAL SENI TARI Terakreditasi SINTA 4 11 (Juli).

Jazilah, Febrina Sonia, dan Indriyanto Indriyanto. 2019. “Estetika Gerak Tari Kuda Lumping di Desa Sumber Girang Kecamatan Lasem Kabupaten Rembang.” Jurnal Seni Tari 8 (2): 216–26. https://doi.org/10.15294/jst.v8i2.33090.

Rahayu, Gemmylang Anjie. 2016. “ESTETIKA TARI RETNO TANJUNG DI PADEPOKAN SENI KALOKA KOTA TEGAL.”

Sukari, dan Esti Wuryansari. 2019. TARI MUANG SANGKAL DAN PENGEMBANGANNYA DI SANGGAR TARI POTRE KONENG SUMENEP MADURA JAWA TIMUR. Yogyakarta: BPNB.

Wahyuni, Defi Tri, Rully Rochayati, dan Silo Siswanto. 2023. “Deskripsi Tari Jaran Buto Dalam Perspektif Tata Rias dan Busana di Kabupaten Banyuasin Sumatra Selatan.” ANTHOR: Education and Learning Journal 2 (4): 440–46. https://doi.org/10.31004/anthor.v2i4.169.

Wardani, Anestia Widya, Desnatia Munzilatul Qur’aniyah, dan Sherly Nopiasanti. 2023. Pembelajaran Seni Tari. CV. Tatakata Grafika.

Widoyoko, Eko Putro. 2012. Teknik Penyusunan Instrumen Penelitian. Yogyakarta : Pustaka Pelajar

Published

2025-04-25

Versions

How to Cite

Zainollah, N. Z. A. F. (2025). CHOREOGRAPHIC FORM OF THE “KEMBANG PASESER” DANCE BY EDI POTTRE KONENG, SUMENEP DISTRICT. Solah, 11(1). Retrieved from https://ejournal.unesa.ac.id/index.php/solah/article/view/66705

Issue

Section

Articles
Abstract views: 29 , PDF Downloads: 2

Most read articles by the same author(s)