THE MANAGEMENT OF PRADAPA LOKA BHAKTI ART STUDIO IN MAINTAINING THE EXISTENCE OF ART LIFE IN PACITAN REGENCY
Keywords:
Art Studio Management, Pradapa Loka Bhakti, Artistic Existence, Pacitan RegencyAbstract
This study aims to describe the management of Pradapa Loka Bhakti Art Studio in successfully maintaining its existence despite having been established since 1980. The research employs management theory as its analytical framework. A descriptive qualitative method was used, with primary data obtained through observation and interviews, while secondary data were sourced from previous research articles. Data collection techniques included observation, interviews, literature review, and documentation study. Data analysis was conducted through data reduction, data presentation, and conclusion drawing. Data validity was ensured through source triangulation.
The results show that Pradapa Loka Bhakti Art Studio has been able to maintain its existence for more than 40 years due to well-structured and effectively implemented management. The studio is managed by individuals who possess strong expertise in dance, supported by structured programs including weekly, monthly, and annual programs. In addition, Pradapa Loka Bhakti Art Studio frequently participates in national and international events such as the International Arts Event “Bedog Arts Festival,” workshops and performances at Moonah Art Center in Hobart, and Annexe Art Center at the University of Tasmania in Launceston, as well as “Opera Diponegoro” by Sardono W. Kusumo (2008 and 2012). These activities contribute to the studio’s sustained existence to the present day.
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Copyright (c) 2026 Kusumastuti Anggun Cahyanti, Arif Hidajad
This work is licensed under a Creative Commons Attribution 4.0 International License.
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