The THE SYMBOLIC MEANING OF THE PROPERTY IN THE JARANAN DOR JOKO SOROH IN KEBONDALEM, KADEMANGAN, MOJOAGUNG, JOMBANG

Abstract

This study aims to describe the symbolic meaning of props in the Jaranan Dor Joko Soroh performance. It employs a qualitative approach and data collection techniques including observation, interviews, and documentation. The results of the study indicate that the symbolic meaning of the props in the Jaranan Dor Joko Soroh performance goes beyond their function as mere props; they possess a deeper significance when linked to Charles Sanders Peirce’s theory of semiotics as discussed in Dr. Nur Sahid’s book. The props of the Jaranan Dor Joko Soroh include: 1. Jepaplok, 2. Jaranan, 3. Topengan, 4. Pecut/Cemeti, and 5. Panthek. It is hoped that the symbolic meanings of these props will contribute to motivating artists and preserving traditional culture, particularly for those involved in Jaranan Dor Joko Soroh as well as those outside of it, serving as a reference or discourse on the development of jaranan in Indonesia, specifically in Jombang Regency.