THE ILLOCUTIONARY ACTS OF GENDER ISSUES IN BRIDGERTON TV SERIES ON NETFLIX (2020 & 2022)
Keywords:
Bridgerton's series, Illocutionary acts, Language and GenderAbstract
ABSTRACT. This study aims to identify the types of illocutionary acts, to contextualize their meaning through S-P-E-A-K-I-N-G framework, and to examine gender performativity in characters' utterances addressing the marriage market issue in Bridgerton Season 1 (2020) and Season 2 (2022) on Netflix. Employing a qualitative descriptive method, this research used a documentation technique in which the data were drawn from dialogue transcripts and official Netflix subtitles, and verified by re-watching both seasons. The data were analyzed using Searle's (1979) theory of illocutionary acts, Dell Hymes' (1972) S-P-E-A-K-I-N-G model, and Judith Butler's (1990) theory of gender performativity. The findings reveal 132 utterances addressing the marriage market issue, with assertive acts as the most dominant type (103 data), followed by expressive (17), directive (7), commissive (3), and declarative acts (2). The S-P-E-A-K-I-N-G analysis shows that the setting, participants, and prevailing social norms of Regency-era London significantly shape the illocutionary force of each utterance, with directive acts predominantly used by male characters as an instrument of patriarchal authority, while expressive acts are predominantly used by female characters as a form of resistance. From Butler's perspective, normative performativity (69 data) remains more dominant than subversive performativity (63 data), although subversive utterances increase significantly from Season 1 (29 data) to Season 2 (34 data). These findings demonstrate that speech acts function not merely as transactional communicative tools, but as performative mechanisms that actively reproduce and simultaneously resist patriarchal gender norms within the marriage market institution as represented in popular media.
Keywords: illocutionary acts; S-P-E-A-K-I-N-G framework; gender performativity; marriage market; Bridgerton
Downloads
References
Alam, M. (2025). Gender performativity, precarity, and power: A comprehensive review of Judith Butler's contribution to gender and social theory in the context of Swat, Pakistan. Global Social Sciences Review, 4(2), 200–215.
Austin, J. L. (1962). How to do things with words. Oxford University Press.
Azeharie, S., Sari, W. P., & Irena, L. (2022). Feminism perspective on Bridgerton drama series. Advances in Social Science, Education and Humanities Research. https://doi.org/10.2991/assehr.k.220404.012
Azizah, S., & Saswati, R. (2024). Translation of expressive speech acts from English into Indonesian in movie series Bridgerton Season 3. Dinamika: Prosiding Diseminasi Nasional Hasil Penelitian dan Pengabdian kepada Masyarakat, 1(1).
Branicki, L. J. (2023). Joy and the mop: The role of film in doing and undoing gender in entrepreneurship. International Journal of Gender and Entrepreneurship. Advance online publication.
Bucholtz, M., & Hall, K. (2004). Language and identity. In A. Duranti (Ed.), A companion to linguistic anthropology (pp. 369–394). Blackwell Publishing.
Bunau, E., Rahmani, E. F., Apriliaswati, R., & Rosnija, E. (2023). An analysis of moral values in the Zootopia movie. Journal of Scientific Research, Education, and Technology (JSRET), 2(2), 860–874.
Butler, J. (1990). Gender trouble: Feminism and the subversion of identity. Routledge.
Clark, A. (2004). Scandal: The sexual politics of the British constitution. Princeton University Press.
Diffani, H., & Kholis, A. (2023). An analysis of speech act in the movie "Turning Red". Journal of Linguistics, Culture and Communication, 1(2), 100–115. https://doi.org/10.61320/jolcc.v1i2.100-115
Fulford, R. (1967). The trial of Queen Caroline. Batsford.
Hidaya, N. (2023). Gender empowerment in Black Widow (2021). Litera Kultura: Journal of Literary and Cultural Studies, 10(3), 32–41. https://doi.org/10.26740/lk.v10i3.53664
Hymes, D. (1972). Models of the interaction of language and social life. In J. J. Gumperz & D. Hymes (Eds.), Directions in sociolinguistics: The ethnography of communication (pp. 35–71). Holt, Rinehart & Winston.
Jenkins, J., & Finneman, T. (2017). Gender trouble in the workplace: Applying Judith Butler's theory of performativity to news organizations. Feminist Media Studies, 18(2), 157–172. https://doi.org/10.1080/14680777.2017.130841
Khater, H. A., Altakhaineh, A. R. M., & Dahnous, F. (2024). Pragmatic analysis of King Abdullah's speech: Exploring speech acts and societal context. Cogent Arts & Humanities, 11(1), 2433879. https://doi.org/10.1080/23311983.2024.2433879
Legada, E. L. (2026). Women as a commodity: An intersectional look at the Bridgerton series. Cultural and Media Studies Journal, 7(1), 30–42.
McShane, J. (2021). What does it mean to 'decolonise' gender studies? Theorising the decolonial capacities of gender performativity and intersectionality. Gender, Place & Culture, 5(1), 88–104.
Miles, M. B., Huberman, A. M., & Saldaña, J. (2014). Qualitative data analysis: A methods sourcebook (3rd ed.). Sage.
Nisa, L. K., Tadjuddin, S., & Ekowati, S. H. (2025). Speech events in the Indonesian version of Miracle in Cell No. 7 and YouTube discussion pages: A digital communication context analysis using Dell Hymes' "Speaking" model. Tamaddun, 24(1), 229–241.
Putri, M. R. R. (2025). Illocutionary act analysis on Everything Everywhere All at Once (2022). Passage, 13(1), 62–73.
Rahmawati, R. D. (2021). An analysis of expressive speech acts used in Crazy Rich Asian movie. English Department, Faculty of Letters and Culture, Gunadarma University.
Ristiawati, D. M. J., & Juniartha, I. W. (2026). Enola Holmes as a representation of equality in Enola Holmes (2020) movie. Celtic: A Journal of Culture, English Language Teaching, Literature and Linguistics, 13(1), 62–79. https://doi.org/10.22219/celtic.v13i1.43349
Saputra, F. C., & Rumondor, I. K. (2025). Reclaiming agency: Subverting patriarchy and reconfiguring gender in Enola Holmes (2020). Boanerges: Makarios Education Journal, 2(2), 140–149.
Searle, J. R. (1976). A classification of illocutionary acts. Language in Society, 5(1), 1–23. https://doi.org/10.1017/S0047404500006837
Searle, J. R. (1979). Expression and meaning: Studies in the theory of speech acts. Cambridge University Press.
Sugita, N. M. (2024). The use of politeness strategies managing romantic conflicts context in Bridgerton's Netflix series (2020). Language Horizon, 12(1). https://doi.org/10.26740/lh.v12n1.p1-12
Thao, N., Purba, D., & Herman. (2021). Pragmatics analysis on commissive speech act in a movie. European Journal of Humanities and Educational Advancements.
Zahoor, M. (2024). How languages construct gender roles and reflect power dynamics in literature, exploring speech acts, conversational dominance, and stereotypes. Gender and Language Review, 3(2), 45–60.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 Language Horizon: Journal of Language Studies

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Abstract views: 16
,
PDF Downloads: 12
1.png)